Johann Leisentrit's Geistliche Lieder und Psalmen, 1567: Hymnody of the Counter-Reformation in Germany

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Rowman & Littlefield, 2013 - 353 pagina's
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Geistliche Lieder und Psalmen, 1567, was compiled and published by Johann Leisentrit, a Roman Catholic priest who from 1559 to the time of his death in 1586, was Dean at the Cathedral of St. Peter's in Bautzen, a town in southeastern Germany. His hymnbook appeared in three complete editions (1567, 1573, 1584), and in abridged editions in 1575, 1576, and 1589. By adapting the vernacular hymn, a genre created by Protestant reformers, Leisentrit hoped to bring back to the "true church" (wahrglaubiger Christlicher Kirchen) those who had defected to Lutheranism. This was a formidable ambition because his diocese was located adjacent to the Moravian-Bohemian regions where the Protestant movement was born and remained vital. Containing approximately 260 texts set to 175 notated melodies, many borrowed from Protestant sources and adapted to serve Roman Catholic objectives, Leisentrit's book was the second Catholic hymnbook to be published in the sixteenth century. It surpassed its Protestant and Catholic precursors in scope and provided a model for the profusion of hymnbooks of numerous confessions that appeared in Germany in the seventeenth and eighteenth centuries . Wetzel and Heitmeyer present their study in two parts: The first comprises six contextual chapters that survey earlier German achievements in hymnody, provide analyses of the texts and music in Leisentrit's book, and assess his achievement within the volatile environment of the Counter Reformation. The second gives the melodies in modern notation along with the first stanzas of the texts; provides detailed concordances and references to sources that identify textual and musical provenances; and concludes with six appendixes to facilitate scholarly cross-references. Fourteen of the seventy wood engravings from Leisentrit's book, many of which are visual representations of the prevailing confessional conflicts, are given in enlarged reproductions. The authors provide the only comprehensive study in English of a unique religious figure and his efforts to achieve confessional reconciliation in the decades following the Council of Trent. They add to a more accurate interpretation of the relationship between Lutherans and Catholics in the sixteenth century and support the hypothesis that some Lutherans remained more liturgically formal than their Catholic contemporaries.
 

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Inhoudsopgave

Ch01 Johann Leisentrit and the Council of Trent Decades
3
Ch02 Early SixteenthCentury Hymnbooks
17
Ch03 The Texts of Leisentrits Geistliche Lieder und Psalmen 1567
39
Ch04 The Melodies of Geistliche Lieder und Psalmen 1567
61
Ch05 Illustrations Borders and Symbols
75
Photospread
83
Ch06 Epilogue
85
Part 2 THE MELODIES AND FIRST STANZAS OF GEISTLICHE LIEDER UND PSALMEN 1567TRANSCRIBED
91
Appendix 2 Alphabetical Index ofMelodies with Text Titlesor FirstLine Incipits
281
Appendix 3 Alphabetical Index of First Lines
299
Appendix 4 Modal Characteristicsof the Melodies
313
Appendix 5 Wood Engravings and Subjects
329
Appendix 6 Latin Hymns in GeistlicheLieder und Psalmen 1567in Their Liturgical Season orFunctional Category TheirNumbers in Part 2 and TheirL...
337
Bibliography
343
Index
351
Copyright

Appendix 1 Index of Melodies and Texts inOrder of Appearance in GeistlicheLieder und Psalmen 1567
263

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Over de auteur (2013)

Richard D. Wetzel earned the Ph.D. in Musicology at the University of Pittsburgh, where he studied under Dénes Bartha, Theodore Finney and Robert J. Snow. Wetzel is on the faculty of the School of Music of Ohio University, Athens, Ohio.

Erika Heitmeyer studied Germanistik and Latin philology and was director of studies at Gymansium schools in Dortmund, Germany. She received her Ph. D. in literary science with honors (summa cum laude) from the UniversitŠt OsnabrŸck, where she studied with Albert Gerhards, Winfried Woesler, and Ulrich Klein. Her articles and essays have been published in various scientific and theological magazines and anthologies.

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