William Blake and GenderMcFarland, Incorporated, Publishers, 2006 - 210 pagina's The closing years of the eighteenth century were the particular domain of literary radicals whose work challenged ideas on gender and sexuality. During this transitional period, the poetry of William Blake reflected the changing mores of society as well as his own developing notions of gender. This work presents an in-depth exploration of gender issues in Blake's three epic poems, The Four Zoas, Milton and Jerusalem. The opening chapter discusses basic concepts such as notions of apocalypse, utopia and gender, all essential to the author's reading of Blake. Background regarding the literary atmosphere of the time, which included influence from the tradition of dissent, English Jacobinism and early feminism, is also included, effectively setting the context for Blake's work. The book then examines the poems in chronological order. It concentrates particularly on male and female activity within each work (refuting the common assumption that Blake was anti-feminist) while exploring the symbolism of the poetry. Blake's repeated theme of the struggle between the sexes receives special emphasis, as does the progress of his gender vision through the three poems. |
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Pagina 3
... togetherness , and we may discern a clear line of development both from the early shorter poetry to the epics and within the three epic poems . Although sometimes executing successful representations of the female , Blake in the early ...
... togetherness , and we may discern a clear line of development both from the early shorter poetry to the epics and within the three epic poems . Although sometimes executing successful representations of the female , Blake in the early ...
Pagina 115
... togetherness , and the omniscient narrator Blake can announce that this is indeed the " End of the Dream " ( 9 : 856 , E 407 ) . The Gender Reunion and Male - Female Togetherness of The Four Zoas Male - female togetherness , then , is ...
... togetherness , and the omniscient narrator Blake can announce that this is indeed the " End of the Dream " ( 9 : 856 , E 407 ) . The Gender Reunion and Male - Female Togetherness of The Four Zoas Male - female togetherness , then , is ...
Pagina 156
... togetherness and the poem concludes at the very moment before apoc- alypse . Milton is a much more well - organized poem , and in this respect it points ahead to the final prophetic poem Jerusalem . The outcome of my examination of ...
... togetherness and the poem concludes at the very moment before apoc- alypse . Milton is a much more well - organized poem , and in this respect it points ahead to the final prophetic poem Jerusalem . The outcome of my examination of ...
Inhoudsopgave
Introduction | 1 |
2Blakes Radical Context | 40 |
3The Gender Utopia of The Four Zoas | 60 |
Copyright | |
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acter Ahania Alicia Ostriker already apocalypse become Beulah Bible biblical Blake criticism Blake's female Blake's gender utopia Blake's poetry Blake's utopia Blake's view Book Book of Urizen concept counterpart crucial Damrosch dark Daughters of Albion death Elynittria Enion Enitharmon epic poems Eternity fallen existence fallen world Felpham female activity female characters feminist final Night Four Zoas fourfold gender equality gender interactivity heaven human ideas images important innocence jealousy Jerusalem Joseph Johnson's Keri Davies Leutha London Los's Luvah major epics male and female male characters male-female reunion male-female togetherness mankind Milton and Ololon Milton Blake Muggletonians mythological negation negative Oothoon Palamabron Paradise passage patriarchal plate poetic positive prophecies prophetic radical Rahab reunited Revelation Rintrah Satan sexes sexual significant song Spectre structure Swedenborgian sweet symbols Tharmas thee thou tion Tirzah traditional Ulro Urizen Urthona utopian existence Vala visionary Visions William Blake Wollstonecraft woman women