William Blake and GenderMcFarland, Incorporated, Publishers, 2006 - 210 pagina's The closing years of the eighteenth century were the particular domain of literary radicals whose work challenged ideas on gender and sexuality. During this transitional period, the poetry of William Blake reflected the changing mores of society as well as his own developing notions of gender. This work presents an in-depth exploration of gender issues in Blake's three epic poems, The Four Zoas, Milton and Jerusalem. The opening chapter discusses basic concepts such as notions of apocalypse, utopia and gender, all essential to the author's reading of Blake. Background regarding the literary atmosphere of the time, which included influence from the tradition of dissent, English Jacobinism and early feminism, is also included, effectively setting the context for Blake's work. The book then examines the poems in chronological order. It concentrates particularly on male and female activity within each work (refuting the common assumption that Blake was anti-feminist) while exploring the symbolism of the poetry. Blake's repeated theme of the struggle between the sexes receives special emphasis, as does the progress of his gender vision through the three poems. |
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Pagina 113
... mankind in the wine presses of Luvah is a reminder that the biblical apocalypse also prescribes damna- tion for those who cannot be redeemed from sin , but through all their collective positive activity of love mankind manages to ...
... mankind in the wine presses of Luvah is a reminder that the biblical apocalypse also prescribes damna- tion for those who cannot be redeemed from sin , but through all their collective positive activity of love mankind manages to ...
Pagina 151
... mankind in all Blake's three epics . As in the other two poems , Albion in Milton slumbers in the fallen world as a symbol of the great need for mankind to awaken and correct the errors of this existence . When Milton descends to the ...
... mankind in all Blake's three epics . As in the other two poems , Albion in Milton slumbers in the fallen world as a symbol of the great need for mankind to awaken and correct the errors of this existence . When Milton descends to the ...
Pagina 178
... mankind is prepared for the final clarion call , which sounds in the last line of the same plate . ALBION ... mankind and , significantly , it is at this point in the poem that the rep- resentation of unified mankind , Albion , falls ...
... mankind is prepared for the final clarion call , which sounds in the last line of the same plate . ALBION ... mankind and , significantly , it is at this point in the poem that the rep- resentation of unified mankind , Albion , falls ...
Inhoudsopgave
Introduction | 1 |
2Blakes Radical Context | 40 |
3The Gender Utopia of The Four Zoas | 60 |
Copyright | |
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acter Ahania Alicia Ostriker already apocalypse become Beulah Bible biblical Blake criticism Blake's female Blake's gender utopia Blake's poetry Blake's utopia Blake's view Book Book of Urizen concept counterpart crucial Damrosch dark Daughters of Albion death Elynittria Enion Enitharmon epic poems Eternity fallen existence fallen world Felpham female activity female characters feminist final Night Four Zoas fourfold gender equality gender interactivity heaven human ideas images important innocence jealousy Jerusalem Joseph Johnson's Keri Davies Leutha London Los's Luvah major epics male and female male characters male-female reunion male-female togetherness mankind Milton and Ololon Milton Blake Muggletonians mythological negation negative Oothoon Palamabron Paradise passage patriarchal plate poetic positive prophecies prophetic radical Rahab reunited Revelation Rintrah Satan sexes sexual significant song Spectre structure Swedenborgian sweet symbols Tharmas thee thou tion Tirzah traditional Ulro Urizen Urthona utopian existence Vala visionary Visions William Blake Wollstonecraft woman women