William Blake and GenderMcFarland, Incorporated, Publishers, 2006 - 210 pagina's The closing years of the eighteenth century were the particular domain of literary radicals whose work challenged ideas on gender and sexuality. During this transitional period, the poetry of William Blake reflected the changing mores of society as well as his own developing notions of gender. This work presents an in-depth exploration of gender issues in Blake's three epic poems, The Four Zoas, Milton and Jerusalem. The opening chapter discusses basic concepts such as notions of apocalypse, utopia and gender, all essential to the author's reading of Blake. Background regarding the literary atmosphere of the time, which included influence from the tradition of dissent, English Jacobinism and early feminism, is also included, effectively setting the context for Blake's work. The book then examines the poems in chronological order. It concentrates particularly on male and female activity within each work (refuting the common assumption that Blake was anti-feminist) while exploring the symbolism of the poetry. Blake's repeated theme of the struggle between the sexes receives special emphasis, as does the progress of his gender vision through the three poems. |
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Pagina 117
... counterpart in a supportive but submissive way , only to be invited by the powerful male to take the seat beside him to share his power . In an emancipatory way she instead seizes joint power . Even more forceful language is used to ...
... counterpart in a supportive but submissive way , only to be invited by the powerful male to take the seat beside him to share his power . In an emancipatory way she instead seizes joint power . Even more forceful language is used to ...
Pagina 135
... counterpart Milton , and from then on she can substantially start her factual search for him . It is at the advent of the apocalypse in the final plates of Milton that Ololon is most significant as a utopian character . There she ...
... counterpart Milton , and from then on she can substantially start her factual search for him . It is at the advent of the apocalypse in the final plates of Milton that Ololon is most significant as a utopian character . There she ...
Pagina 172
... counterpart of the uni- versal man , Albion . This construction implies a pronounced opposition and a dialectic interaction between the two leading protagonists , both in Milton and in Jerusalem . In Milton , Ololon and Milton overtly ...
... counterpart of the uni- versal man , Albion . This construction implies a pronounced opposition and a dialectic interaction between the two leading protagonists , both in Milton and in Jerusalem . In Milton , Ololon and Milton overtly ...
Inhoudsopgave
Introduction | 1 |
2Blakes Radical Context | 40 |
3The Gender Utopia of The Four Zoas | 60 |
Copyright | |
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acter Ahania Alicia Ostriker already apocalypse become Beulah Bible biblical Blake criticism Blake's female Blake's gender utopia Blake's poetry Blake's utopia Blake's view Book Book of Urizen concept counterpart crucial Damrosch dark Daughters of Albion death Elynittria Enion Enitharmon epic poems Eternity fallen existence fallen world Felpham female activity female characters feminist final Night Four Zoas fourfold gender equality gender interactivity heaven human ideas images important innocence jealousy Jerusalem Joseph Johnson's Keri Davies Leutha London Los's Luvah major epics male and female male characters male-female reunion male-female togetherness mankind Milton and Ololon Milton Blake Muggletonians mythological negation negative Oothoon Palamabron Paradise passage patriarchal plate poetic positive prophecies prophetic radical Rahab reunited Revelation Rintrah Satan sexes sexual significant song Spectre structure Swedenborgian sweet symbols Tharmas thee thou tion Tirzah traditional Ulro Urizen Urthona utopian existence Vala visionary Visions William Blake Wollstonecraft woman women