Women and Music in Sixteenth-Century Ferrara

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Cambridge University Press, 27 sep 2018
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The musica secreta or concerto delle dame of Duke Alfonso II d'Este, an ensemble of virtuoso female musicians that performed behind closed doors at the castello in Ferrara, is well-known to music history. Their story is often told by focussing on the Duke's obsessive patronage and the exclusivity of their music. This book examines the music-making of four generations of princesses, noblewomen and nuns in Ferrara, as performers, creators, and patrons from a new perspective. It rethinks the relationships between polyphony and song, sacred and secular, performer and composer, patron and musician, court and convent. With new archival evidence and analysis of music, people, and events over the course of the century, from the role of the princess nun musician, Leonora d'Este, to the fate of the musica secreta's jealously guarded repertoire, this radical approach will appeal to musicians and scholars alike.
 

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Inhoudsopgave

1b Io dico e dissi e dirò fin chio viva Cipriano de Rore RISM 1549º
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Ferrarese Convents and the Este in the First Half
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Andrea Supplemento al compendio historico del Signor D Marc
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2a Hymn Concinat plebsfidelium Office of Saint Clare
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Courtly Women and Secular Music in Ferrara in the First Half
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The Este Women and Music in the 1550s
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1a Io dico e dissi e dirò fin chio viva Cipriano de Rore RISM 1549º
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permission of the International Museum and Library of Music
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Margheritas Arrivaland the Convents in the First Halfoſthe 1580s
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Musical Practices of the 1580s Concerto
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libro de madrigali a cinque voci 1581 mm 14
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19a Tirsi morir volea Giaches de Wert Il settimo libro de madrigali
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Court and Convents in the 1590s
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madrigali a cinque voci 1596 mm 2123
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Afterlife in Mantua
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voci 1614 mm 113
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4a Aspro core e selvaggio et cruda voglia Adriano Willaert Musica
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Spectacle and Song in the 1560s
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Ferrara and the New Singing
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de madrigali a cinque voci 1575 mm 14
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11a Al dolce vostro canto Luzzasco Luzzaschi Secondo libro
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Over de auteur (2018)

Laurie Stras is Research Professor of Music at the University of Huddersfield, where she teaches and researches sixteenth-century music, popular music, and music and disability. She is co-director of the ensemble Musica Secreta, with whom she has made four acclaimed recordings, including Lucrezia Borgia's Daughter, winner of the 2016 Noah Greenberg Award from the American Musicological Society.

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