The Woman's Part: Feminist Criticism of ShakespeareCarolyn Ruth Swift Lenz, Gayle Greene, Carol Thomas Neely University of Illinois Press, 1980 - 348 pagina's |
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Pagina 4
... male characters , male themes , and male fantasies , four motifs are prominent . The critics in this volume liberate Shakespeare's women from the stereotypes to which they have too often been confined ; they examine women's relations to ...
... male characters , male themes , and male fantasies , four motifs are prominent . The critics in this volume liberate Shakespeare's women from the stereotypes to which they have too often been confined ; they examine women's relations to ...
Pagina 5
... male characters the women are complex and flawed , like them capable of passion and pain , growth and decay . Feminist critics also explore how productions , necessitating interpreta- tions that limit the text , may stereotype or ...
... male characters the women are complex and flawed , like them capable of passion and pain , growth and decay . Feminist critics also explore how productions , necessitating interpreta- tions that limit the text , may stereotype or ...
Pagina 6
... male disguise of the heroines makes possible their efficacy , freeing them from social restrictions while subduing the threat posed by their sexuality . They note that in tragedy , where women are without benefit of disguise , their ...
... male disguise of the heroines makes possible their efficacy , freeing them from social restrictions while subduing the threat posed by their sexuality . They note that in tragedy , where women are without benefit of disguise , their ...
Pagina 9
... male dominance grow out of and mask fears of female power and of male feminization and powerless- ness . Critics differ in their estimate of how much conscious con- trol is apparent in Shakespeare's depiction of relations between the ...
... male dominance grow out of and mask fears of female power and of male feminization and powerless- ness . Critics differ in their estimate of how much conscious con- trol is apparent in Shakespeare's depiction of relations between the ...
Pagina 12
... male and female . The first occurrence , spoken in an early comedy by a woman dis- guised as a man , manifests the complex , indirect ways by which women must define and express their identity , and suggests how male disguise can both ...
... male and female . The first occurrence , spoken in an early comedy by a woman dis- guised as a man , manifests the complex , indirect ways by which women must define and express their identity , and suggests how male disguise can both ...
Inhoudsopgave
Female Sexuality as Power in Shakespeares Plays | 17 |
The Roles of Women in Richard III | 35 |
Shakespeare and the Soil of Rape | 56 |
Comic Structure and the Humanizing of Kate in The Taming of the Shrew | 65 |
Much Ado and the Distrust of Women | 79 |
How a Girl Can Be Smart and Still Popular | 100 |
Intimate Conversations between Women in Shakespeares Plays | 117 |
A kind of self | 133 |
What should such a fool Do with so good a woman? | 211 |
Infirm of purpose | 240 |
Shakespeares Female Characters as Actors and Audience | 256 |
A Penchant for Perdita on the Eighteenth Century English Stage | 271 |
Sexism and Racism in Shakespeares Tempest | 285 |
Shakespeares Imperiled and Chastening Daughters of Romance | 295 |
A Selective Bibliography | 314 |
Contributors | 337 |
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The Woman's Part: Feminist Criticism of Shakespeare Carolyn Ruth Swift Lenz,Gayle Greene,Carol Thomas Neely Gedeeltelijke weergave - 1980 |
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