The Woman's Part: Feminist Criticism of ShakespeareCarolyn Ruth Swift Lenz, Gayle Greene, Carol Thomas Neely University of Illinois Press, 1980 - 348 pagina's |
Vanuit het boek
Resultaten 1-5 van 38
Pagina
... Audience Marianne Novy A Penchant for Perdita on the Eighteenth - Century Stage Irene G. Dash The Miranda Trap : Sexism and Racism in Shakespeare's Tempest Lorie Jerrell Leininger " O sacred , shadowy , cold , and constant queen ...
... Audience Marianne Novy A Penchant for Perdita on the Eighteenth - Century Stage Irene G. Dash The Miranda Trap : Sexism and Racism in Shakespeare's Tempest Lorie Jerrell Leininger " O sacred , shadowy , cold , and constant queen ...
Pagina
... audience ; she too began collecting essays . When she con- tacted Lenz and Neely in the spring of 1977 , the three agreed to cooperate as coeditors of The Woman's Part . Since then , the anthology , with the help of ix Preface.
... audience ; she too began collecting essays . When she con- tacted Lenz and Neely in the spring of 1977 , the three agreed to cooperate as coeditors of The Woman's Part . Since then , the anthology , with the help of ix Preface.
Pagina 6
... audience to male acting . Good women are often powerless , and powerful women are always threatening and often , in fact , de- structive . And , as has been noted , the women in the tragedies al- most invariably are destroyed , or are ...
... audience to male acting . Good women are often powerless , and powerful women are always threatening and often , in fact , de- structive . And , as has been noted , the women in the tragedies al- most invariably are destroyed , or are ...
Pagina 10
... audience . The approach fostered a loss of identity in authors , texts , and readers alike by isolating and val- orizing the text ; by underestimating the subjective perspective of the individual reader and the importance of the social ...
... audience . The approach fostered a loss of identity in authors , texts , and readers alike by isolating and val- orizing the text ; by underestimating the subjective perspective of the individual reader and the importance of the social ...
Pagina 13
... audience . JULIA . at Pentecost , When all our pageants of delight were played , Our youth got me to play the woman's part , And I was trimmed in Madam Julia's gown , Which served me as fit , by all men's judgments , As if the garment ...
... audience . JULIA . at Pentecost , When all our pageants of delight were played , Our youth got me to play the woman's part , And I was trimmed in Madam Julia's gown , Which served me as fit , by all men's judgments , As if the garment ...
Inhoudsopgave
Female Sexuality as Power in Shakespeares Plays | 17 |
The Roles of Women in Richard III | 35 |
Shakespeare and the Soil of Rape | 56 |
Comic Structure and the Humanizing of Kate in The Taming of the Shrew | 65 |
Much Ado and the Distrust of Women | 79 |
How a Girl Can Be Smart and Still Popular | 100 |
Intimate Conversations between Women in Shakespeares Plays | 117 |
A kind of self | 133 |
What should such a fool Do with so good a woman? | 211 |
Infirm of purpose | 240 |
Shakespeares Female Characters as Actors and Audience | 256 |
A Penchant for Perdita on the Eighteenth Century English Stage | 271 |
Sexism and Racism in Shakespeares Tempest | 285 |
Shakespeares Imperiled and Chastening Daughters of Romance | 295 |
A Selective Bibliography | 314 |
Contributors | 337 |
Overige edities - Alles bekijken
The Woman's Part: Feminist Criticism of Shakespeare Carolyn Ruth Swift Lenz,Gayle Greene,Carol Thomas Neely Gedeeltelijke weergave - 1980 |
Veelvoorkomende woorden en zinsdelen
accept action actor appears attempt audience becomes calls characters Claudio Cleopatra comedies concern Cressida critics daughter death Desdemona desire disguise Elizabeth Elizabethan Emilia essay example express father fear feelings female feminine feminist feud final force Gertrude give Hamlet hand Hero heroines human husband Iago identity imagination Juliet kill kind King Lady Macbeth Lear less lines live London lovers male marriage masculine means mother murder nature never Othello patriarchal person play play's position present queen questions rape reason reference relation relationship response reveals Richard role romances Romeo Rosalind says scene seems sense sexual Shake Shakespeare shows Shrew social society speak speech stage structure Studies suggests thou tion tragedies tragic turn University University Press values wife woman women York young