The Woman's Part: Feminist Criticism of ShakespeareCarolyn Ruth Swift Lenz, Gayle Greene, Carol Thomas Neely University of Illinois Press, 1980 - 348 pagina's |
Vanuit het boek
Resultaten 1-5 van 42
Pagina 4
... Hamlet's perceptions of them . They notice how Desdemona , Emilia , and Bianca significantly shape the plot , themes , conflicts , and movement of Othello . They show that characters such as Desdemona , Lady Macbeth , and Cressida are ...
... Hamlet's perceptions of them . They notice how Desdemona , Emilia , and Bianca significantly shape the plot , themes , conflicts , and movement of Othello . They show that characters such as Desdemona , Lady Macbeth , and Cressida are ...
Pagina 5
... Hamlet , for example , present a lascivious Gertrude , taking their cue from Hamlet's fantasies of her , instead of from an analysis of her decorous , bewildered lines . Productions often cut Desdemona's and Emilia's pivotal willow ...
... Hamlet , for example , present a lascivious Gertrude , taking their cue from Hamlet's fantasies of her , instead of from an analysis of her decorous , bewildered lines . Productions often cut Desdemona's and Emilia's pivotal willow ...
Pagina 8
... is liberated simulta- neously from the rigidities of farce and from the narrowly stereo- typed role of the analogous figure in conventional shrew - taming literature of the period . Gertrude in Hamlet is more 8 THE WOMAN'S PART.
... is liberated simulta- neously from the rigidities of farce and from the narrowly stereo- typed role of the analogous figure in conventional shrew - taming literature of the period . Gertrude in Hamlet is more 8 THE WOMAN'S PART.
Pagina 9
... Hamlet is more opaque than the parallel characters in the sources , who are explicitly guilty- of marriage to the husband's known murderer in Historiae Dani- cae , of adultery during marriage in Histoires Tragiques . In Shake- speare's ...
... Hamlet is more opaque than the parallel characters in the sources , who are explicitly guilty- of marriage to the husband's known murderer in Historiae Dani- cae , of adultery during marriage in Histoires Tragiques . In Shake- speare's ...
Pagina 17
De content van deze pagina is beperkt.
De content van deze pagina is beperkt.
Inhoudsopgave
Female Sexuality as Power in Shakespeares Plays | 17 |
The Roles of Women in Richard III | 35 |
Shakespeare and the Soil of Rape | 56 |
Comic Structure and the Humanizing of Kate in The Taming of the Shrew | 65 |
Much Ado and the Distrust of Women | 79 |
How a Girl Can Be Smart and Still Popular | 100 |
Intimate Conversations between Women in Shakespeares Plays | 117 |
A kind of self | 133 |
What should such a fool Do with so good a woman? | 211 |
Infirm of purpose | 240 |
Shakespeares Female Characters as Actors and Audience | 256 |
A Penchant for Perdita on the Eighteenth Century English Stage | 271 |
Sexism and Racism in Shakespeares Tempest | 285 |
Shakespeares Imperiled and Chastening Daughters of Romance | 295 |
A Selective Bibliography | 314 |
Contributors | 337 |
Overige edities - Alles bekijken
The Woman's Part: Feminist Criticism of Shakespeare Carolyn Ruth Swift Lenz,Gayle Greene,Carol Thomas Neely Gedeeltelijke weergave - 1980 |
Veelvoorkomende woorden en zinsdelen
accept action actor appears attempt audience becomes calls characters Claudio Cleopatra comedies concern Cressida critics daughter death Desdemona desire disguise Elizabeth Elizabethan Emilia essay example express father fear feelings female feminine feminist feud final force Gertrude give Hamlet hand Hero heroines human husband Iago identity imagination Juliet kill kind King Lady Macbeth Lear less lines live London lovers male marriage masculine means mother murder nature never Othello patriarchal person play play's position present queen questions rape reason reference relation relationship response reveals Richard role romances Romeo Rosalind says scene seems sense sexual Shake Shakespeare shows Shrew social society speak speech stage structure Studies suggests thou tion tragedies tragic turn University University Press values wife woman women York young