Thomas Hood and nineteenth-century poetry: Work, play, and politicsManchester University Press, 16 mai 2016 - 232 pages This is the first modern critical study of Thomas Hood, the popular and influential nineteenth-century poet, editor, cartoonist and voice of social protest. Acclaimed by Dickens, the Brownings and the Rossettis, Hood’s quirky, diverse output bridges the years between 1820 and 1845 and offers fascinating insights for Romanticists and Victorianists alike. |
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... body of this death ' , Emblems , Divine and Moral ( London : Longman , Hurst , Rees , Orme and Green , 1812 ) , p . 285 111 4.4 Holbein , ' The Pastor ' , The Dance of Death by Hans Holbein the Younger : A Complete Facsimile of the ...
... body - based - and deliberately provokes pre - rational , visceral responses . Hood's illustrations feature the potential strangeness and malleability of the body , its capacity to vary , to break , to reconfigure , to assimilate its ...
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Table des matières
16 | |
39 | |
the audience as subject | 73 |
Hood and the grotesque | 99 |
Hoods tied trope | 141 |
work play and criticism | 176 |
Select bibliography | 203 |
Autres éditions - Tout afficher
Thomas Hood and Nineteenth-Century Poetry: Work, Play and Politics Sara Lodge Affichage d'extraits - 2007 |
Thomas Hood and Nineteenth-Century Poetry: Work, Play and Politics Sara Lodge Aucun aperçu disponible - 2007 |
Thomas Hood and Nineteenth-Century Poetry: Work, Play, and Politics Sara Lodge Aucun aperçu disponible - 2013 |