Thomas Hood and nineteenth-century poetry: Work, play, and politicsManchester University Press, 16 mai 2016 - 232 pages This is the first modern critical study of Thomas Hood, the popular and influential nineteenth-century poet, editor, cartoonist and voice of social protest. Acclaimed by Dickens, the Brownings and the Rossettis, Hood’s quirky, diverse output bridges the years between 1820 and 1845 and offers fascinating insights for Romanticists and Victorianists alike. |
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... Brown' Poetic transportation: 'The Literary Police Office' and 'The Stag-Eyed Lady' Mermaids and fishwives: Lamb and Hood Later 'Last Man': an insolent subject Losing Keats: Hood and the annual Conclusion 3 Performing the city: the ...
... brown study , And settles on our bald logician's skull : But still his meditative eye looks dull And muddy , For he is gazing inwardly , like Plato ; But to the world without And things about , His eye is blind as that of a potato : In ...
... brown ; His collar he will not discard , Or give up his cravat , Lord Byron - like - he's not a Bard - There's no Romance in that ! 9 Although he learns much from Byron , Hood is not a Bard , either , and he wears his ' collar ...
... Brown ' : - Dr. Watts , amongst evangelical muses , has an enviable renown and Campbell's Ballads enjoy a snug genteel popularity . Sally Brown has been favoured perhaps , with as wide a patronage as the Moral Songs , though its circle ...
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Table des matières
16 | |
39 | |
the audience as subject | 73 |
Hood and the grotesque | 99 |
Hoods tied trope | 141 |
work play and criticism | 176 |
Select bibliography | 203 |
Autres éditions - Tout afficher
Thomas Hood and Nineteenth-Century Poetry: Work, Play and Politics Sara Lodge Affichage d'extraits - 2007 |
Thomas Hood and Nineteenth-Century Poetry: Work, Play and Politics Sara Lodge Aucun aperçu disponible - 2007 |
Thomas Hood and Nineteenth-Century Poetry: Work, Play, and Politics Sara Lodge Aucun aperçu disponible - 2013 |