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"'Tis a sad monster of a man, and not worthy of further notice."

I have observed that Toland had strong nerves; he neither feared controversies, nor that which closes all. Having examined his manuscripts, I can sketch a minute picture of the last days of our "author by profession." At the carpenter's lodgings he drew up a list of all his books-they were piled on four chairs, to the amount of 155-most of them works which evince the most erudite studies; and as Toland's learning has been very lightly esteemed, it may be worth notice that some of his MSS. were transcribed in Greek. To this list he adds-"I need not recite those in the closet with the unbound books and pamphlets; nor my trunk, wherein are all my papers and MSS." I perceive he circulated his MSS. among his friends, for there is a list by him as he lent them, among which are ladies as well as gentlemen, esprits forts!

Never has author died more in character than Toland; he may be said to have died with a busy pen in his hand. Having suffered from an unskilful physician, he avenged himself in his own way; for there was found on his table an "Essay on Physic without Physicians." The dying patriottrader was also writing a preface for a political pamphlet on the danger of mercenary Parliaments; and the philosopher

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*I subjoin, for the gratification of the curious, the titles of a few of these books. "Spanhemii Opera;" "Clerici Pentateuchus;" "Constantini Lexicon Græco-Latinum;" "Fabricii Codex Apocryphus Vet. et Nov. Test. ;" 'Synesius de Regno;" "Historia Imaginum Coelestium Gosselini," 16 volumes; "Caryophili Dissertationes;" "Vonde Hardt Ephemerides Philologica ;" ;" "Trismegisti Opera;" "Recoldus, et alia Mahomedica;" all the Works of Buxtorf; "Salviani Opera ;" "Reland de Relig. Mahomedica;" "Galli Opuscula Mythologica;" "Apollodori Bibliotheca;" "Palingenius;" "Apuleius;" and every classical author of antiquity. As he was then employed in his curious history of the Druids, of which only a specimen is preserved, we may trace his researches in the following books: "Luydii Archæologia Britannica;" "Old Irish Testament," &c.; "Maccurtin's History of Ireland;" "O'Flaherty's Ogygia;" "Epistolarum Hibernicarum;" "Usher's Religion of the ancient Irish;" "Brand's Isles of Orkney and Zetland;" "Pezron's Antiquités des Celtes."

There are some singular papers among these fragments. One title of a work is "Priesthood without Priestcraft; or Superstition distinguished from Religion, Dominion from Order, and Bigotry from Reason, in the most principal Controversies about Church government, which at present divide and deform Christianity." He has composed "A Psalm before Sermon in praise of Asinity." There are other singular titles and works in the mass of his papers.

was composing his own epitaph-one more proof of the ruling passion predominating in death; but why should a Pantheist be solicitous to perpetuate his genius and his fame! I shall transcribe a few lines; surely they are no evidence of Atheism!

Omnium Literarum excultor,

ac linguarum plus decem sciens;
Veritatis propugnator,
Libertatis assertor;

nullus autem sectator aut cliens,
nec minis, nec malis est inflexus,
quin quam elegit, viam perageret;
utili honestum anteferens.
Spiritus cum æthereo patre,
à quo prodiit olim, conjungitur;
corpus item, Naturæ cedens,
in materno gremio reponitur.
Ipse vero æternum est resurrecturus,
at idem futurus TOLANDUS nunquam.*

One would have imagined that the writer of his own panegyrical epitaph would have been careful to have transmitted to posterity a copy of his features; but I know of no portrait of Toland. His patrons seem never to have been generous, nor his disciples grateful; they mortified rather than indulged the egotism of his genius. There appeared, indeed, an elegy, shortly after the death of Toland, so ingeniously contrived, that it is not clear whether he is eulogised or ridiculed. Amid its solemnity these lines betray the sneer. "Has," exclaimed the eulogist of the ambiguous philosopher,

Each jarring element gone angry home?
And Master Toland a Non-ens become?

LOCKE, with all the prescient sagacity of that clear un-
* A lover of all literature,

and knowing more than ten languages;
a champion for truth,

an assertor of liberty,

but the follower or dependant of no man;
nor could menaces nor fortune bend him;
the way he had chosen he pursued,
preferring honesty to his interest.
His spirit is joined with its ethereal father
from whom it originally proceeded;
his body likewise, yielding to Nature,
is again laid in the lap of its mother:
but he is about to rise again in eternity,
yet never to be the same TOLAND more.

T

derstanding which penetrated under the secret folds of the human heart, anticipated the life of Toland at its commencement. He admired the genius of the man; but, while he valued his parts and learning, he dreaded their result. In a letter I find these passages, which were then so prophetic, and are now so instructive::

"If his exceeding great value of himself do not deprive the world of that usefulness that his parts, if rightly conducted, might be of, I shall be very glad.-The hopes young men give of what use they will make of their parts is, to me, the encouragement of being concerned for them; but, if vanity increases with age, I always fear whither it will lead

a man."

GENIUS THE DUPE OF ITS PASSIONS.

POPE said that STEELE, though he led a careless and vicious life, had nevertheless a love and reverence for virtue. The life of Steele was not that of a retired scholar; hence his moral character becomes more instructive. He was one of those whose hearts are the dupes of their imaginations, and who are hurried through life by the most despotic volition. He always preferred his caprices to his interests; or, according to his own notion, very ingenious, but not a little absurd, "he was always of the humour of preferring the state of his mind to that of his fortune." The result of this principle of moral conduct was, that a man of the most admirable abilities was perpetually acting like a fool, and, with a warm attachment to virtue, was the frailest of human beings.

In the first act of his life we find the seed that developed itself in the succeeding ones. His uncle could not endure a hero for his heir: but Steele had seen a marching regiment; a sufficient reason with him to enlist as a private in the horse-guards: cocking his hat, and putting on a broad-sword, jack-boots, and shoulder-belt, with the most generous feelings he forfeited a very good estate.-At length Ensign Steele's frank temper and wit conciliated esteem, and extorted admiration, and the ensign became a favourite leader in all the dissipations of the town. All these were the ebullitions of genius, which had not yet received a legitimate direction. Amid these orgies, however, it was often pensive, and forming

itself; for it was in the height of these irregularities that Steele composed his "Christian Hero," a moral and religious treatise, which the contritions of every morning dictated, and to which the disorders of every evening added another penitential page. Perhaps the genius of Steele was never so ardent and so pure as at this period; and in his elegant letter to his commander, the celebrated Lord Cutts, he gives an interesting account of the origin of this production, which none but one deeply imbued with its feelings could have so forcibly described.

"Tower Guard, March 23, 1701..

"MY LORD,-The address of the following papers is so very much due to your lordship, that they are but a mere report of what has passed upon my guard to my commander; for they were writ upon duty, when the mind was perfectly disengaged, and at leisure, in the silent watch of the night, to run over the busy dream of the day; and the vigilance which obliges us to suppose an enemy always near us, has awakened a sense that there is a restless and subtle one which constantly attends our steps, and meditates our ruin."*

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To this solemn and monitory work he prefixed his name, from this honourable motive, that it might serve as standing testimony against himself, and make him ashamed of understanding, and seeming to feel what was virtuous, and living so quite contrary a life." Do we not think that no one less than a saint is speaking to us? And yet he is still nothing more than Ensign Steele! He tells us that this grave work made him considered, who had been no undelightful companion, as a disagreeable fellow-and "The Christian Hero," by his own words, appears to have fought off several fool-hardy geniuses who were for "trying their valour on him," supposing a saint was necessarily a poltroon. Thus "The Christian Hero," finding himself slighted by his loose companions, sat down and composed a most laughable comedy, "The Funeral;" and with all the frankness of a man who cares not to hide his motives, he tells us, that after his religious work he wrote the comedy because "nothing can make the town so fond of a man as a successful play."+

* Mr. Nichols's "Epistolary Correspondence of Sir Richard Steele," vol. i. p. 77.

Steele has given a delightful piece of self-biography towards the end of his "Apology for Himself and his Writings," p. 80, 4to.

The historian who had to record such strange events, following close on each other, as an author publishing a book of piety, and then a farce, could never have discovered the secret motive of the versatile writer, had not that writer possessed the most honest frankness.

Steele was now at once a man of the town and its censor, and wrote lively essays on the follies of the day in an enormous black peruke which cost him fifty guineas! He built an elegant villa, but, as he was always inculcating economy, he dates from "The Hovel." He detected the fallacy of the South Sea scheme, while he himself invented projects, neither inferior in magnificence nor in misery. He even turned alchemist, and wanted to coin gold, merely to distribute it. The most striking incident in the life of this man of volition, was his sudden marriage with a young lady who attended his first wife's funeral-struck by her angelical beauty, if we trust to his raptures. Yet this sage, who would have written so well on the choice of a wife, united himself to a character the most uncongenial to his own; cold, reserved, and most anxiously prudent in her attention to money, she was of a temper which every day grew worse by the perpetual imprudence and thoughtlessness of his own. He calls her "Prue" in fondness and reproach; she was Prudery itself! His adoration was permanent, and so were his complaints; and they never parted but with bickeringsyet he could not suffer her absence, for he was writing to her three or four passionate notes in a day, which are dated from his office, or his bookseller's, or from some friend's house-he has risen in the midst of dinner to despatch a line to "Prue," to assure her of his affection since noon.*-Her presence or her absence was equally painful to him.

In the "Epistolary Correspondence of Sir Richard Steele," edition of 1809, are preserved these extraordinary love-despatches; "Prue" used poor Steele at times very ill; indeed Steele seems to have conceived that his warm affections were all she required, for Lady Steele was usually left whole days in solitude, and frequently in want of a guinea, when Steele could not raise one. He, however, sometimes remonstrates with her very feelingly. The following note is an instance :

"DEAR WIFE, -I have been in great pain of body and mind since I came out. You are extremely cruel to a generous nature, which has a tenderness for you that renders your least dishumour insupportably afflicting. After short starts of passion, not to be inclined to reconciliation, is what is against all rules of Christianity and justice. When I come home, I beg to be kindly received; or this will have as ill an effect upon my fortune, as on my mind and body."

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