Will in the World: How Shakespeare Became ShakespeareW. W. Norton & Company, 2004 - 430 pagina's Stephen Greenblatt, the charismatic Harvard professor who "knows more about Shakespeare than Ben Jonson or the Dark Lady did" (John Leonard, Harper's), has written a biography that enables us to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life; full of drama and pageantry, and also cruelty and danger; could have become the world's greatest playwright. A young man from the provinces--a man without wealth, connections, or university education--moves to London. In a remarkably short time he becomes the greatest playwright not just of his age but of all time. His works appeal to urban sophisticates and first-time theatergoers; he turns politics into poetry; he recklessly mingles vulgar clowning and philosophical subtlety. How is such an achievement to be explained? Will in the World interweaves a searching account of Elizabethan England with a vivid narrative of the playwright's life. We see Shakespeare learning his craft, starting a family, and forging a career for himself in the wildly competitive London theater world, while at the same time grappling with dangerous religious and political forces that took less-agile figures to the scaffold. Above all, we never lose sight of the great works--A Midsummer Night's Dream, Romeo and Juliet, Hamlet, Macbeth, and more--that continue after four hundred years to delight and haunt audiences everywhere. The basic biographical facts of Shakespeare's life have been known for over a century, but now Stephen Greenblatt shows how this particular life history gave rise to the world's greatest writer. Bringing together little-known historical facts and little-noticed elements of Shakespeare's plays, Greenblatt makes inspired connections between the life and the works and deliver "a dazzling and subtle biography" (Richard Lacayo, Time). Readers will experience Shakespeare's vital plays again as if for the first time, but with greater understanding and appreciation of their extraordinary depth and humanity. A Best Book of the Year: The New York Times 10 Best Books of 2004; Time magazine's #1 Best Nonfiction Book; A Washington Post Book World Rave; An Economist Best Book; A San Francisco Chronicle Best Book; A Christian Science Monitor Best Book; A Chicago Tribune Best Book; A Pittsburgh Post-Gazette Best Book; NPR's Maureen Corrigan's Best. |
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Pagina 6
... write to Permissions , W. W. Norton & Company , Inc. , 500 Fifth Avenue , New York , NY 10110 Manufacturing by Quebecor World , Fairfield Book design by Judith Stagnitto Production manager : Amanda Morrison Library of Congress ...
... write to Permissions , W. W. Norton & Company , Inc. , 500 Fifth Avenue , New York , NY 10110 Manufacturing by Quebecor World , Fairfield Book design by Judith Stagnitto Production manager : Amanda Morrison Library of Congress ...
Pagina 12
... write and act for a cutthroat commercial entertain- ment industry ; he also wrote scripts that were intensely alert to the social and political realities of their times . He could scarcely have done other- wise : to stay afloat , the ...
... write and act for a cutthroat commercial entertain- ment industry ; he also wrote scripts that were intensely alert to the social and political realities of their times . He could scarcely have done other- wise : to stay afloat , the ...
Pagina 13
... writer he rarely started with a blank slate ; he characteristically took materials that had already been in ... writing table as his quill pen raced across the paper . But no one who responds intensely to Shakespeare's art can believe ...
... writer he rarely started with a blank slate ; he characteristically took materials that had already been in ... writing table as his quill pen raced across the paper . But no one who responds intensely to Shakespeare's art can believe ...
Pagina 15
... writing this book give me deep pleasure to acknowledge . My remarkably gifted col- leagues and students at Harvard University have been an unfailing source of intellectual stimulation and challenge , and the university's fabled ...
... writing this book give me deep pleasure to acknowledge . My remarkably gifted col- leagues and students at Harvard University have been an unfailing source of intellectual stimulation and challenge , and the university's fabled ...
Pagina 17
... write that par- ticular name as one's own . Dyrmonth might have been the first to be driven by this curiosity , but ... writing of biographies , and no contemporary seems to have thought it worthwhile to collect whatever could be found ...
... write that par- ticular name as one's own . Dyrmonth might have been the first to be driven by this curiosity , but ... writing of biographies , and no contemporary seems to have thought it worthwhile to collect whatever could be found ...
Inhoudsopgave
Primal Scenes | 23 |
The Dream of Restoration | 54 |
The Great Fear | 87 |
Wooing Wedding and Repenting | 118 |
Crossing the Bridge | 149 |
Life in the Suburbs | 175 |
Shakescene | 199 |
MasterMistress | 226 |
Overige edities - Alles bekijken
Will in the World: How Shakespeare Became Shakespeare (Anniversary Edition) Stephen Greenblatt Gedeeltelijke weergave - 2010 |
Will in the World: How Shakespeare Became Shakespeare Stephen Greenblatt Gedeeltelijke weergave - 2005 |
Will in the World: How Shakespeare Became Shakespeare Stephen Greenblatt Geen voorbeeld beschikbaar - 2014 |
Veelvoorkomende woorden en zinsdelen
actor Anne Anne Hathaway Arden audience Cambridge Campion career Catholic century character church comedy contemporary Cottam crowd daughter dead death depicted Earl early Elizabeth Elizabethan England English faith Falstaff fantasy father fear friends Greene Greene's Hamlet Henry imagination James Jesuit John Shakespeare Juliet King Lear King's Latin least live London Lopez Lord Lord Chamberlain's Men Lucy Macbeth magic Marlowe Marlowe's marriage marry Merchant of Venice Midsummer Night's Dream moral murder never night once Oxford performed perhaps person players playhouse playing companies playwright plot poems poet prince probably Protestant queen Queen's Men Richard Romeo says scene scholars seems sense Shake Shylock simply Sir Thomas social someone sonnets Southampton speare speare's stage story Stratford Tamburlaine theater theatrical thee thing thou thought tion took tragedy turned University Press wife Will's William Shakespeare Winter's Tale witches words write written wrote young