Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 50Gale Research Company, 1984 |
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Pagina 71
... opening scene , the plebeians turn the tri- bunes ' earlier interrogatories into a brutally peremptory round of " twenty questions " directed at Cinna the poet ( 3.3.5-12 ) . And if in the opening scene the inability , or disinclination ...
... opening scene , the plebeians turn the tri- bunes ' earlier interrogatories into a brutally peremptory round of " twenty questions " directed at Cinna the poet ( 3.3.5-12 ) . And if in the opening scene the inability , or disinclination ...
Pagina 187
... open stage , or " in - the - round , " he must reckon with certain scenic demands the play it- self imposes . From its opening through the unleash- ing of the mob and the following quiet scene with the triumvirs ( IV.i ) , we are in ...
... open stage , or " in - the - round , " he must reckon with certain scenic demands the play it- self imposes . From its opening through the unleash- ing of the mob and the following quiet scene with the triumvirs ( IV.i ) , we are in ...
Pagina 351
... opening three stanzas of the song , and its brutal end suggests the fate of all three quali- ties in this play . ' This is a play where birds of ill omen rule , not doves . In the speeches following the opening song , Shake- speare and ...
... opening three stanzas of the song , and its brutal end suggests the fate of all three quali- ties in this play . ' This is a play where birds of ill omen rule , not doves . In the speeches following the opening song , Shake- speare and ...
Inhoudsopgave
Social Class in Shakespeares Plays | 1 |
Coriolanus | 99 |
Julius Caesar | 185 |
Copyright | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volume 28 Fragmentweergave - 1984 |
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