Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 50Gale Research Company, 1984 |
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Pagina 36
... audience how to behave . In the relatively few prologues and epilogues in the canon , the audience is never addressed with anything but courtesy , unless we except Gower , the poet in the theater , who speaks to his audience with ...
... audience how to behave . In the relatively few prologues and epilogues in the canon , the audience is never addressed with anything but courtesy , unless we except Gower , the poet in the theater , who speaks to his audience with ...
Pagina 109
... audience . Shakespeare does not , that is to say , significantly urge special judgments for An- tony and Coriolanus or suggest that in their greatness they rise above morality or create one of their own . Shakespeare is concerned with ...
... audience . Shakespeare does not , that is to say , significantly urge special judgments for An- tony and Coriolanus or suggest that in their greatness they rise above morality or create one of their own . Shakespeare is concerned with ...
Pagina 132
... audience.24 But beyond the generalized effects of thrill and terror , we should note that particular identifications will determine an audience member's response to a bloody spectacle . It matters a great deal , for instance , whether ...
... audience.24 But beyond the generalized effects of thrill and terror , we should note that particular identifications will determine an audience member's response to a bloody spectacle . It matters a great deal , for instance , whether ...
Inhoudsopgave
Social Class in Shakespeares Plays | 1 |
Coriolanus | 99 |
Julius Caesar | 185 |
Copyright | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volume 28 Fragmentweergave - 1984 |
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action actor Antony Antony's Arcite's argued aristocratic assassination audience Aufidius blood body Brutus Brutus's Cade Cambridge Casca Caska Cassius character Chaucer Cicero comedy comic common conspirators Corio Coriolanus Coriolanus's court critics culture Cynic Daugh death Decius drama early modern Elizabethan Emilia emulation England English Epicurean essay fear Fletcher Greville Henry hero heroic honor interpretation Jailer's Daughter James Julius Caesar King King Lear Knight's Tale language lanus Lear London lord Martius means Menenius ment Midsummer Night's Dream moral Noble Kinsmen Oxford Palamon Palamon and Arcite patricians Pirithous play's plebeians plot Plutarch political poor popular Queen Renaissance rhetoric ritual Rome says scene seems senate sense sexual Shake Shakespeare Shakespeare's plays social speak speare speare's speech stage Stoic suggests theater theatrical Theseus Theseus's things thou tion Titus Andronicus traditional tragedy tragic tribunes Tudor voice Wooer words wounds