Hellenistic Sculpture, Volume 1

Voorkant
Univ of Wisconsin Press, 1990 - 405 pagina's
La Grande Italia traces the history of the myth of the nation in Italy along the curve of its rise and fall throughout the twentieth century. Starting with the festivities for the fiftieth anniversary of the unification of Italy in 1911 and ending with the centennial celebrations of 1961, Emilio Gentile describes a dense sequence of events: from victorious Italian participation in World War I through the rise and triumph of Fascism to Italy's transition to a republic.
Gentile's definition of "Italians" encompasses the whole range of political, cultural, and social actors: Liberals and Catholics, Monarchists and Republicans, Fascists and Socialists. La Grande Italia presents a sweeping study of the development of Italian national identity in all its incarnations throughout the twentieth century. This important contribution to the study of modern Italian nationalism and the ambition to achieve a "great Italy" between the unification of Italy and the advent of the Italian Republic will appeal to anyone interested in modern European history, Fascism, and nationalism.

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Inhoudsopgave

in the Round
13
and Funerary Buildings
149
The Wider PictureConclusions
349
List of Monuments
383
Selective Index
389
Copyright

Overige edities - Alles weergeven

Veelvoorkomende woorden en zinsdelen

Over de auteur (1990)

Brunilde Sismondo Ridgway is the Rhys Carpenter Professor Emerita of Classical and Near Eastern Archaeology at Bryn Mawr College. Her many books include Hellenistic Sculpture II: The Styles of ca. 200 100 B.C., and Fourth-Century Styles in Greek Sculpture, both published by the University of Wisconsin Press.

Bibliografische gegevens