The Plays of William Shakespeare, Volume 1A. Leathley, 1766 |
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Pagina ii
... fame kind . Demonftration immediately difplays its power , and has nothing to hope or fear from the flux of years ; but works tentative and experimen- tal must be estimated by their proportion to the general and collective ability of ...
... fame kind . Demonftration immediately difplays its power , and has nothing to hope or fear from the flux of years ; but works tentative and experimen- tal must be estimated by their proportion to the general and collective ability of ...
Pagina iii
... fame and prescriptive veneration . He has long outlived his cen- tury , the term commonly fixed as the teft of literary merit . Whatever advantages he might once derive from perfonal allufions , local cuftoms , or temporary opinions ...
... fame and prescriptive veneration . He has long outlived his cen- tury , the term commonly fixed as the teft of literary merit . Whatever advantages he might once derive from perfonal allufions , local cuftoms , or temporary opinions ...
Pagina v
... fame remark may be applied to every ftage but that of Shakespeare . The theatre , when it is under any other direction , is peopled by fuch characters as were never seen , converfing in a language which was never heard , upon topicks ...
... fame remark may be applied to every ftage but that of Shakespeare . The theatre , when it is under any other direction , is peopled by fuch characters as were never seen , converfing in a language which was never heard , upon topicks ...
Pagina vi
... fame occafion : Even where the agency is fupernatural the dialogue is level with life . Other writers difguite the moft natural paffions and moft fre- quent incidents ; fo that he who contemplates them in the book will not know them in ...
... fame occafion : Even where the agency is fupernatural the dialogue is level with life . Other writers difguite the moft natural paffions and moft fre- quent incidents ; fo that he who contemplates them in the book will not know them in ...
Pagina vii
... for- row , mingled with endless variety of proportion and innumerable modes of combination ; and expreffing the course of the world , in which the lofs of one is the A 4 gain gain of another ; in which , at the fame PREFACE , vii.
... for- row , mingled with endless variety of proportion and innumerable modes of combination ; and expreffing the course of the world , in which the lofs of one is the A 4 gain gain of another ; in which , at the fame PREFACE , vii.
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againſt Ariel Author becauſe beft Ben Johnson beſt Caliban criticiſm defire Demetrius doth Duke Edition elfe Enter Exeunt Exit eyes fafe faid Fairies falfe fame feems fenfe fhall fhew fhould fince firft firſt fleep fome fomething fometimes fpeak fpirit ftand ftill ftrange fuch fuppofed fure fweet give hath Hermia himſelf Iffue laft Laun lefs loft lord Lyfander mafter Milan Mira moft moſt mufick muft muſt myſelf Naples obfcure obferved occafion paffages paffion play pleaſe pleaſure Poet praiſe prefent Profpero Protheus publiſhed Puck Pyramus Queen Quin reafon reft Robin-goodfellow SCENE ſeems Shakespeare ſhall ſhe Silvia ſpeak Speed Stratford upon Avon Sycorax thee thefe themſelves THEOBALD theſe thing thofe thoſe thou thought Thurio Trin Trinculo underſtand uſe Valentine WARBURTON whofe word write