Responsive to the sprightly pipe, when all

In sprightly dance the village youth were join'd,
Edwin, of melody aye held in thrall,

From the rude gambol far remote reclin'd,
Sooth'd with the soft notes warbling in the wind.
Ah then all jollity seem'd noise and folly

To the pure soul by Fancy's fire refin'd,

Ah what is mirth but turbulence unholy

When with the charm compar'd of heav'nly melancholy!

*

Song was his favourite and first pursuit.

The wild harp rang to his advent'rous hand,
And languish'd to his breath the plaintive flute.
His infant muse, though artless, was not mute :
Of elegance as yet he took no care;
For this of time and culture is the fruit;
And Edwin gain'd at last this fruit so rare:
As in some future verse I purpose to declare.

The quotation is long, but it is important for the history of poetry. Beattie has gone through the entire series of reveries and melancholy ideas of which a hundred other poets have fancied themselves the discoverers. Beattie proposed to continue his poem: he did in fact write a second canto. Edwin hears one evening a solemn voice rising from the bottom of a valley; it is that of a hermit, who, having experienced the illusions of the world, has buried himself in this retirement, to indulge in pious meditation and to sing the wonderful works of the Creator. This hermit instructs the young minstrel, and reveals to him the secret

of his genius. The idea is a happy one, but the execution is not equally felicitous. The concluding stanzas of the new canto are devoted to the memory of a friend. Beattie was destined to shed tears; the death of his son broke his paternal heart: like Ossian, after the death of his Oscar, he hung his harp upon the branches of an oak. Perhaps Beattie's son was the young minstrel whom his father had sung, and whose footsteps he no longer perceived upon the hill.

LORD BYRON.

THE ELM OF HARROW *.

In the earliest compositions of Lord Byron, we meet with striking imitations of the "Minstrel." At the period of my exile in England, Lord Byron was at the school of Harrow, a village about ten miles from London. He was a boy; I was young, and as unknown as he. I was destined to precede him in the career of letters, and to remain in it after him. He had been brought up on the heaths of Scotland, on the sea-shore, as I had been on the

heaths of Brittany on the sea-shore. He was at first fond of the Bible and Ossian, as I was fond of them. He sang in Newstead Abbey the recol

* All that follows, to the conclusion, is extracted from my Memoirs. I have merely abridged some passages which relate to myself, as I cannot say in my lifetime all that I shall say in my grave. It is a most convenient thing to be dead, in order to talk without restraint.

lections of childhood, as I sang them in the castle

of Combourg.

When I roved, a young highlander, o'er the dark heath, And climb'd thy steep summit, O Morven! of snow; gaze on the torrent that thunder'd beneath,

Το

Or the mist of the tempest, that gather'd below:

I arose with the dawn, with my dog as my guide,
From mountain to mountain I bounded along,
I breasted the billows of Dee's rushing tide,

And heard at a distance the Highlander's song:
At eve, on my heath-covered couch of repose,
No dreams, save of Mary, were spread to my view,
And warm to the skies my devotions arose,

For the first of my prayers was a blessing on you.

I left
my
bleak home and my visions are gone,
The mountains are vanish'd, my youth is no more;
As the last of my race I must wither alone,

And delight but in days I have witness'd before;
Ah! splendour has rais'd but embitter'd my lot,
More dear were the scenes that my infancy knew.

*

Adieu, then, ye hills, where my

*

*

childhood was bred,

Thou sweet flowing Dee, to thy waters adieu !

No home in the forest shall shelter my head,

Ah, Mary! what home could be mine without you!"

In my long solitary rambles in the neighbourhood of London, I several times passed through the village of Harrow, without knowing what a genius it contained. I have sat in the churchyard, at the foot of the elm, beneath which, in 1807,

when I was returning from Palestine, Byron wrote these verses:

Spot of my youth! whose hoary branches sigh,
Swept by the breeze that fans thy cloudless sky;
Where now alone I muse, who oft have trod
With those I lov'd thy soft and verdant sod;
With those who, scatter'd far, perchance deplore,
Like me, the happy scenes they knew before;
Oh! as I trace again thy winding hill,
Mine eyes admire, my heart adores thee still.
Thou drooping elm, beneath whose boughs I lay
And frequent mused the twilight hours away;
Where, as they once were wont, my limbs recline,
But, ah! without the thoughts which then were mine."

*

When fate shall chill, at length, the fever'd breast,
And calm its cares and passions into rest;
Oft have I thought 'twould soothe my dying hour,
If aught may soothe, when life resigns her power;
To know some humbler grave, some narrow cell,
Would hide my bosom where it lov'd to dwell.
With this fond dream methinks 'twere sweet to die,
As here it linger'd, here my heart might lie,
Here might I sleep where all my hopes arose,
Scene of my youth and couch of my repose:
For ever stretch'd beneath this mantling shade,
Press'd by the turf where once my childhood play'd,
Wrapt by the soil that veils the spot I lov❜d,
Mix'd with the earth o'er which my footsteps mov'd;
Bless'd by the tongues that charm'd my youthful ear,
Mourn'd by the few my soul acknowledg'd here;
Deplor'd by those, in carly days allied,

And unremember'd by the world beside.