A Linguistic History of English PoetryRoutledge, 25 jul 2005 - 240 pagina's This introductory book takes the reader through literary history from the Renaissance to Postmodernism, and considers individual texts as paradigms which can both reflect and unsettle their broader linguistic and cultural contexts. Richard Bradford provides detailed readings of individual texts which emphasize their relation to literary history and broader socio-cultural contexts, and which take into account developments in structuralism and postmodernism. Texts include poems by Donne, Herbert, Marvell, Milton, Pope, Wordsworth, Coleridge, Blake, Keats, Hopkins, Browning, Pound, Eliot, Carlos Williams, Auden, Larkin and Geoffrey Hill. |
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... orobject.The degree of tension between the two components depends partly upon the type of verse and partly upon questions of interpretation and vocal performance. If the dangling adjective also incorporates a rhyme word.
... orobject.The degree of tension between the two components depends partly upon the type of verse and partly upon questions of interpretation and vocal performance. If the dangling adjective also incorporates a rhyme word.
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... tensions created by the double patternplay some partinthe waythat we naturalise poems or extracts frompoems. 3 Text andsystem All linguistic statements mustdraw upona system ofrulesand conventions. The double pattern means that poetry ...
... tensions created by the double patternplay some partinthe waythat we naturalise poems or extracts frompoems. 3 Text andsystem All linguistic statements mustdraw upona system ofrulesand conventions. The double pattern means that poetry ...
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... tension between linguistic usage dominated bythe progressive logicof the syntagm(weexpect 'cars' to 'move'or 'progress' along the 'road') andthe purposive, and indeed poetic, use of the paradigmatic bag—a car flying along the roadgives ...
... tension between linguistic usage dominated bythe progressive logicof the syntagm(weexpect 'cars' to 'move'or 'progress' along the 'road') andthe purposive, and indeed poetic, use of the paradigmatic bag—a car flying along the roadgives ...
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... tension;and sinceitsprosodic ormetrical identity is a feature it does not share withprose we find ourselves with aformidable definitionof the poetic. Even JonathanCuller, acriticwho has submitted the New Critics Empson and Brookstothe ...
... tension;and sinceitsprosodic ormetrical identity is a feature it does not share withprose we find ourselves with aformidable definitionof the poetic. Even JonathanCuller, acriticwho has submitted the New Critics Empson and Brookstothe ...
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abstract andits andthe Augustan ballad betweenthe blank verse broader bythe century Chapter circumstances cognitive cohesion Coleridge’s complex condition Consider context conventional correspondences counterpart couplet criticism cultural deictic dimensions Donne Donne’s double pattern effect eighteenthcentury elements Eliot enclosed experience Flea foregrounding formal formula free verse fromthe grammatical heroic couplet iambic iambic pentameter images interpretive inthe intrinsic isthe Jakobson langue linguistic literary meaning metaphor metasyntax metonymic metre metrical metrists Milton modernist naturalisation nondramatic nonpoetic discourse ofthe ofthe double ofthetext onthe Paradise Lost pentameter poem poem’s poet poetic function poetic language poetry prelinguistic prose reader references referential function relation relationbetween relationship rhyme scheme Romantic semantic sentence sequence shift signifying sonnet sound pattern speaker speaking presence speech act stanza structure stylistic syllable syntactic syntagm syntagmatic syntax tension textual thatthe thedouble pattern thepoetic thetext thetwo tothe uncertain uponthe utterance verb verb phrase verse paragraph visual withthe Wordsworth