A Linguistic History of English PoetryRoutledge, 25 jul 2005 - 240 pagina's This introductory book takes the reader through literary history from the Renaissance to Postmodernism, and considers individual texts as paradigms which can both reflect and unsettle their broader linguistic and cultural contexts. Richard Bradford provides detailed readings of individual texts which emphasize their relation to literary history and broader socio-cultural contexts, and which take into account developments in structuralism and postmodernism. Texts include poems by Donne, Herbert, Marvell, Milton, Pope, Wordsworth, Coleridge, Blake, Keats, Hopkins, Browning, Pound, Eliot, Carlos Williams, Auden, Larkin and Geoffrey Hill. |
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Richard Bradford. poem employs linguistic structures and exhibits effects that are essentially different from those found in other discourses. The most widely ... freeverse. If we succeed in identifying the essentially poetic qualities of.
Richard Bradford. poem employs linguistic structures and exhibits effects that are essentially different from those found in other discourses. The most widely ... freeverse. If we succeed in identifying the essentially poetic qualities of.
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... free verse later in this chapter and inChapter 6,butforthe moment let us return to the question of whether elements such as metre can influence, perhaps even create, meaning. It would beuseful to specifytheterminology and thelimitations ...
... free verse later in this chapter and inChapter 6,butforthe moment let us return to the question of whether elements such as metre can influence, perhaps even create, meaning. It would beuseful to specifytheterminology and thelimitations ...
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... blankverse, inwhich the regular metrical structureofeach pentameteris thesinglefactor which distinguishes the line from interlineal movementof syntax.Free verse is a phenomenon that, unlike its counterparts in regular poetry, avoids ...
... blankverse, inwhich the regular metrical structureofeach pentameteris thesinglefactor which distinguishes the line from interlineal movementof syntax.Free verse is a phenomenon that, unlike its counterparts in regular poetry, avoids ...
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Je hebt de weergavelimiet voor dit boek bereikt.
Je hebt de weergavelimiet voor dit boek bereikt.
Pagina
Je hebt de weergavelimiet voor dit boek bereikt.
Je hebt de weergavelimiet voor dit boek bereikt.
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abstract andits andthe Augustan ballad betweenthe blank verse broader bythe century Chapter circumstances cognitive cohesion Coleridge’s complex condition Consider context conventional correspondences counterpart couplet criticism cultural deictic dimensions Donne Donne’s double pattern effect eighteenthcentury elements Eliot enclosed experience Flea foregrounding formal formula free verse fromthe grammatical heroic couplet iambic iambic pentameter images interpretive inthe intrinsic isthe Jakobson langue linguistic literary meaning metaphor metasyntax metonymic metre metrical metrists Milton modernist naturalisation nondramatic nonpoetic discourse ofthe ofthe double ofthetext onthe Paradise Lost pentameter poem poem’s poet poetic function poetic language poetry prelinguistic prose reader references referential function relation relationbetween relationship rhyme scheme Romantic semantic sentence sequence shift signifying sonnet sound pattern speaker speaking presence speech act stanza structure stylistic syllable syntactic syntagm syntagmatic syntax tension textual thatthe thedouble pattern thepoetic thetext thetwo tothe uncertain uponthe utterance verb verb phrase verse paragraph visual withthe Wordsworth