Edmund Spenser: a Critical AnthologyPaul J. Alpers Penguin Books, 1969 - 399 pagina's |
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Pagina 77
... Style 1706 ... When I first thought of writing upon this occasion , I found the ideas so great and numerous that I judged them more proper for the warmth of an ode than for any other sort of poetry . I therefore set Horace before me for ...
... Style 1706 ... When I first thought of writing upon this occasion , I found the ideas so great and numerous that I judged them more proper for the warmth of an ode than for any other sort of poetry . I therefore set Horace before me for ...
Pagina 127
... style , and the necessity of a close accordance with the actual language of men , to those particular subjects from low and rustic life which by way of experiment he had purposed to naturalize as a new species in our English poetry ...
... style , and the necessity of a close accordance with the actual language of men , to those particular subjects from low and rustic life which by way of experiment he had purposed to naturalize as a new species in our English poetry ...
Pagina 130
... style of almost all our modern poets ; such is the style of Pope and Gray ; such , too , very often , is that of Shake- spear and Milton ; and , notwithstanding Mr Coleridge's decision to the contrary , of Spenser's Faerie Queene . Now ...
... style of almost all our modern poets ; such is the style of Pope and Gray ; such , too , very often , is that of Shake- spear and Milton ; and , notwithstanding Mr Coleridge's decision to the contrary , of Spenser's Faerie Queene . Now ...
Inhoudsopgave
Preface | 11 |
Part One Contemporaneous Criticism | 17 |
E K | 26 |
Copyright | |
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action adventures allegory appear Arthur beauty becomes beginning better Book Bower Britomart called canto character clear comes common course criticism death described desire eclogues effect Elizabethan English example excellent experience expression fable fact Faerie Queene faire feel figure final give grace hand human idea imagination important interest Italy kind knight lady language learned less living look lost matter meaning mind moral nature never object once particular passage passion pastoral perhaps person poem poet poetic poetry present Press Proem reader reason represents seems sense Spenser spirit stanza story structure style suggests symbolic things thought tradition true truth turn University verse virtue vision whole writing