Edmund Spenser: a Critical AnthologyPaul J. Alpers Penguin Books, 1969 - 399 pagina's |
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Pagina 90
... seems to have been discovered or brought to light by latter ages . With us the art of framing fables , apologues and allegories , which was so frequent among the writers of antiquity , seems to be , like the art of painting upon glass ...
... seems to have been discovered or brought to light by latter ages . With us the art of framing fables , apologues and allegories , which was so frequent among the writers of antiquity , seems to be , like the art of painting upon glass ...
Pagina 185
... seems to me the best dissenting opinion on The Faerie Queene : it has a keen sense of the imaginative qualities of the poem and is frank and sympathetic in its dealings with it , but it does not take the poem at its own ( or modern ...
... seems to me the best dissenting opinion on The Faerie Queene : it has a keen sense of the imaginative qualities of the poem and is frank and sympathetic in its dealings with it , but it does not take the poem at its own ( or modern ...
Pagina 322
... seems alien and unaccountable . Spenser seems to have overlooked the ex- pressive possibilities of idiomatic speech revealed so magnificently by Shakespeare and devised an artificial language which , in contrast to the artificialities ...
... seems alien and unaccountable . Spenser seems to have overlooked the ex- pressive possibilities of idiomatic speech revealed so magnificently by Shakespeare and devised an artificial language which , in contrast to the artificialities ...
Inhoudsopgave
Preface | 11 |
Part One Contemporaneous Criticism | 17 |
E K | 26 |
Copyright | |
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action adventures allegory appear Arthur beauty becomes beginning better Book Bower Britomart called canto character clear comes common course criticism death described desire eclogues effect Elizabethan English example excellent experience expression fable fact Faerie Queene faire feel figure final give grace hand human idea imagination important interest Italy kind knight lady language learned less living look lost matter meaning mind moral nature never object once particular passage passion pastoral perhaps person poem poet poetic poetry present Press Proem reader reason represents seems sense Spenser spirit stanza story structure style suggests symbolic things thought tradition true truth turn University verse virtue vision whole writing