Edmund Spenser: a Critical AnthologyPaul J. Alpers Penguin Books, 1969 - 399 pagina's |
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Pagina 129
... final e , which is now mute , in Chaucer's age was either sounded or dropped indifferently . We ourselves still use either beloved or belov❜d according as the rhyme , or measure , or the purpose of more or less solemnity may require ...
... final e , which is now mute , in Chaucer's age was either sounded or dropped indifferently . We ourselves still use either beloved or belov❜d according as the rhyme , or measure , or the purpose of more or less solemnity may require ...
Pagina 195
... final heresy he abstains , drawing back from the verge of dualism to remind us by delicate allegories that though the conflict seems ultimate yet one of the opposites really contains , and is not contained by , the other . Truth and ...
... final heresy he abstains , drawing back from the verge of dualism to remind us by delicate allegories that though the conflict seems ultimate yet one of the opposites really contains , and is not contained by , the other . Truth and ...
Pagina 223
... final phrase suggests . But he is throughout more than a fancy - poet , and also more than a medieval allegorist , though both these he certainly is too . He builds a nationalist and royalist purpose into the scheme . It is ' the eulogy ...
... final phrase suggests . But he is throughout more than a fancy - poet , and also more than a medieval allegorist , though both these he certainly is too . He builds a nationalist and royalist purpose into the scheme . It is ' the eulogy ...
Inhoudsopgave
Preface | 11 |
Part One Contemporaneous Criticism | 17 |
E K | 26 |
Copyright | |
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action adventures allegory appear Arthur beauty becomes beginning better Book Bower Britomart called canto character clear comes common course criticism death described desire eclogues effect Elizabethan English example excellent experience expression fable fact Faerie Queene faire feel figure final give grace hand human idea imagination important interest Italy kind knight lady language learned less living look lost matter meaning mind moral nature never object once particular passage passion pastoral perhaps person poem poet poetic poetry present Press Proem reader reason represents seems sense Spenser spirit stanza story structure style suggests symbolic things thought tradition true truth turn University verse virtue vision whole writing