Edmund Spenser: a Critical AnthologyPaul J. Alpers Penguin Books, 1969 - 399 pagina's |
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Pagina 80
... Death is the offspring of Sin ' , this is a metaphor to signify that the former is produced by the latter as a child is brought into the world by its parent . Again , to compare death to a meager and ghastly apparition starting out of ...
... Death is the offspring of Sin ' , this is a metaphor to signify that the former is produced by the latter as a child is brought into the world by its parent . Again , to compare death to a meager and ghastly apparition starting out of ...
Pagina 254
... death of Mordant and the self - accusing death of Amavia ( 11 i 58 ) . Because it is used in the geometrical construction of the mean proportional , the square is a symbol for the virtue by which Guyon will continually make the moral ...
... death of Mordant and the self - accusing death of Amavia ( 11 i 58 ) . Because it is used in the geometrical construction of the mean proportional , the square is a symbol for the virtue by which Guyon will continually make the moral ...
Pagina 351
... death were better , then such agony , As griefe and furie vnto me did bring ; Of which in me yet stickes the mortall sting , That during life will neuer be appeasd . When he thus ended had his sorrowing , But all Said Guyon , Squire ...
... death were better , then such agony , As griefe and furie vnto me did bring ; Of which in me yet stickes the mortall sting , That during life will neuer be appeasd . When he thus ended had his sorrowing , But all Said Guyon , Squire ...
Inhoudsopgave
Preface | 11 |
Part One Contemporaneous Criticism | 17 |
E K | 26 |
Copyright | |
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action adventures allegory appear Arthur beauty becomes beginning better Book Bower Britomart called canto character clear comes common course criticism death described desire eclogues effect Elizabethan English example excellent experience expression fable fact Faerie Queene faire feel figure final give grace hand human idea imagination important interest Italy kind knight lady language learned less living look lost matter meaning mind moral nature never object once particular passage passion pastoral perhaps person poem poet poetic poetry present Press Proem reader reason represents seems sense Spenser spirit stanza story structure style suggests symbolic things thought tradition true truth turn University verse virtue vision whole writing