Edmund Spenser: a Critical AnthologyPaul J. Alpers Penguin Books, 1969 - 399 pagina's |
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Pagina 116
... common purpose . In other words , it is an unity of design , and not of action . This Gothic method of design in poetry may be , in some sort , illustrated by what is called the Gothic method of design in gardening . A wood or grove cut ...
... common purpose . In other words , it is an unity of design , and not of action . This Gothic method of design in poetry may be , in some sort , illustrated by what is called the Gothic method of design in gardening . A wood or grove cut ...
Pagina 213
... common vices of his time to his audience . Even the alliteration is as much a device of the speaker as a traditional poetic technique ; note how it falls again and again upon the descriptive epithets which are the key to the whole ...
... common vices of his time to his audience . Even the alliteration is as much a device of the speaker as a traditional poetic technique ; note how it falls again and again upon the descriptive epithets which are the key to the whole ...
Pagina 310
... common figure of Phaeton , a metaphor for presumptuous usurpation of divine prerogative . This theme is never dropped , for it is radical Pride which Spenser shows us . Of course , he shows it finally in the ancient images used for ...
... common figure of Phaeton , a metaphor for presumptuous usurpation of divine prerogative . This theme is never dropped , for it is radical Pride which Spenser shows us . Of course , he shows it finally in the ancient images used for ...
Inhoudsopgave
Preface | 11 |
Part One Contemporaneous Criticism | 17 |
E K | 26 |
Copyright | |
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action adventures allegory appear Arthur beauty becomes beginning better Book Bower Britomart called canto character clear comes common course criticism death described desire eclogues effect Elizabethan English example excellent experience expression fable fact Faerie Queene faire feel figure final give grace hand human idea imagination important interest Italy kind knight lady language learned less living look lost matter meaning mind moral nature never object once particular passage passion pastoral perhaps person poem poet poetic poetry present Press Proem reader reason represents seems sense Spenser spirit stanza story structure style suggests symbolic things thought tradition true truth turn University verse virtue vision whole writing