Edmund Spenser: a Critical AnthologyPaul J. Alpers Penguin Books, 1969 - 399 pagina's |
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Pagina 132
... beauty ; as where he compares Prince Arthur's crest to the appearance of the almond tree : [ quotes 1 vii 32 , quoted below , p . 144 ] . The love of beauty , however , and not of truth , is the moving principle of his mind ; and he is ...
... beauty ; as where he compares Prince Arthur's crest to the appearance of the almond tree : [ quotes 1 vii 32 , quoted below , p . 144 ] . The love of beauty , however , and not of truth , is the moving principle of his mind ; and he is ...
Pagina 165
... beauty would have found itself ill content if he had merely solitudes of nature , however fair , to contemplate . In his perfect joy in the presence of human beauty he is thoroughly a man of the Renaissance . The visions which he ...
... beauty would have found itself ill content if he had merely solitudes of nature , however fair , to contemplate . In his perfect joy in the presence of human beauty he is thoroughly a man of the Renaissance . The visions which he ...
Pagina 167
... beauty , Spenser's teaching is that true beauty is always sacred , always ennobling to the spirit which is itself sane and pure , but the sensual mind will put even beauty to sensual uses . And he declares further that there is a forged ...
... beauty , Spenser's teaching is that true beauty is always sacred , always ennobling to the spirit which is itself sane and pure , but the sensual mind will put even beauty to sensual uses . And he declares further that there is a forged ...
Inhoudsopgave
Preface | 11 |
Part One Contemporaneous Criticism | 17 |
E K | 26 |
Copyright | |
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action adventures allegory appear Arthur beauty becomes beginning better Book Bower Britomart called canto character clear comes common course criticism death described desire eclogues effect Elizabethan English example excellent experience expression fable fact Faerie Queene faire feel figure final give grace hand human idea imagination important interest Italy kind knight lady language learned less living look lost matter meaning mind moral nature never object once particular passage passion pastoral perhaps person poem poet poetic poetry present Press Proem reader reason represents seems sense Spenser spirit stanza story structure style suggests symbolic things thought tradition true truth turn University verse virtue vision whole writing