Edmund Spenser: a Critical AnthologyPaul J. Alpers Penguin Books, 1969 - 399 pagina's |
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Pagina 28
... English tongue a gallimaufry or hodgepodge of all other speeches . Other some , not so well seen in the English tongue as perhaps in other languages , if they happen to hear an old word , albeit very natural and significant , cry out ...
... English tongue a gallimaufry or hodgepodge of all other speeches . Other some , not so well seen in the English tongue as perhaps in other languages , if they happen to hear an old word , albeit very natural and significant , cry out ...
Pagina 213
... English poetry . They are based upon an extraordinary ability to describe personal experience in terms of a common idiom , founded in this case on the ... English poets have always been those who have rescued English 213 D. A. Traversi.
... English poetry . They are based upon an extraordinary ability to describe personal experience in terms of a common idiom , founded in this case on the ... English poets have always been those who have rescued English 213 D. A. Traversi.
Pagina 215
... English , and not that of the French humanists , it is clearly the decorative aspect of Chaucer that appeals to him . Even when he uses the English vocabulary which he cultivated so sedulously , the words have quite a different ...
... English , and not that of the French humanists , it is clearly the decorative aspect of Chaucer that appeals to him . Even when he uses the English vocabulary which he cultivated so sedulously , the words have quite a different ...
Inhoudsopgave
Preface | 11 |
Part One Contemporaneous Criticism | 17 |
E K | 26 |
Copyright | |
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action adventures allegory appear Arthur beauty becomes beginning better Book Bower Britomart called canto character clear comes common course criticism death described desire eclogues effect Elizabethan English example excellent experience expression fable fact Faerie Queene faire feel figure final give grace hand human idea imagination important interest Italy kind knight lady language learned less living look lost matter meaning mind moral nature never object once particular passage passion pastoral perhaps person poem poet poetic poetry present Press Proem reader reason represents seems sense Spenser spirit stanza story structure style suggests symbolic things thought tradition true truth turn University verse virtue vision whole writing