The Legacy of Katharine Hepburn: Fine Art as a Way of Life: A MemoirAuthorHouse, 10 nov 2006 - 172 pagina's
THE LEGACY OF KATHARINE HEPBURN: Fine Art as a Way of Life Maryann Pasda DiEdwardo Memoir The legacy of the late Katharine Hepburn undeniably benefits a twenty-first century audience, because Kate identifies the artistic spirit. As one of the most important women of the twentieth century, Hepburn was an artist who exemplified the independent character, freedom and opportunity available to women as paramount whether she was on stage or in film. As the late Hepburn, she has become a living art spirit with a legacy that acts as a shining example. |
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Pagina xv
A Memoir Maryann Pasda DiEdwardo. CONTENTS Cover Illustration Abstract Prologue Introduction CHAPTER ONE Edith ... Edith Evan Interpretation Katharine Hepburn's Interpretation Vanessa ... Evans' Performances in 1926 with Old Vic Appendix II ...
A Memoir Maryann Pasda DiEdwardo. CONTENTS Cover Illustration Abstract Prologue Introduction CHAPTER ONE Edith ... Edith Evan Interpretation Katharine Hepburn's Interpretation Vanessa ... Evans' Performances in 1926 with Old Vic Appendix II ...
Pagina xviii
... performed on December 2, 1603. In this investigative study, I have provided a discussion and analysis of the performances of three actresses who portrayed Rosalind in the twentieth century. Edith Evans played Rosalind in productions of ...
... performed on December 2, 1603. In this investigative study, I have provided a discussion and analysis of the performances of three actresses who portrayed Rosalind in the twentieth century. Edith Evans played Rosalind in productions of ...
Pagina xxvii
... playbills, and theatrical libraries all of which are listed in my book. The original unpublished work entitled ”Rosalind in the Twentieth Century: An Analysis of Performances by Edith Evans, Katharine Hepburn and Vanessa Redgrave ...
... playbills, and theatrical libraries all of which are listed in my book. The original unpublished work entitled ”Rosalind in the Twentieth Century: An Analysis of Performances by Edith Evans, Katharine Hepburn and Vanessa Redgrave ...
Pagina xxxi
... plays her must reflect her moods in her face and voice with quick honest transitions. Rosalind is the primary focus of this discussion and analysis of the performances of three actresses who played her. Dame Edith Evans played Rosalind ...
... plays her must reflect her moods in her face and voice with quick honest transitions. Rosalind is the primary focus of this discussion and analysis of the performances of three actresses who played her. Dame Edith Evans played Rosalind ...
Pagina xxxv
... players and the play (Sprague 152-153). It was not until the 1930's that these practices which Sprague describes dominated Shakespearean productions in England and America. Thus, the first performance of Edith Evans in As You Like It in ...
... players and the play (Sprague 152-153). It was not until the 1930's that these practices which Sprague describes dominated Shakespearean productions in England and America. Thus, the first performance of Edith Evans in As You Like It in ...
Inhoudsopgave
CHAPTER ONE | 1 |
CHAPTER TWO | 18 |
CHAPTER THREE Conclusions | 28 |
Edith Evans Performances in 1926 with Old Vic | 58 |
List of Performing Arts Research Libraries | 65 |
Overige edities - Alles bekijken
The Legacy of Katharine Hepburn: Fine Art as a Way of Life: A Memoir Maryann Pasda Diedwardo Gedeeltelijke weergave - 2008 |
The Legacy of Katharine Hepburn: Fine Art As a Way of Life: a Memoir Maryann Pasda Diedwardo Geen voorbeeld beschikbaar - 2006 |
Veelvoorkomende woorden en zinsdelen
Academy Award acting actors actress allow American appeared Arden artist audience Available become best actress career cast Center Chapter character Church classroom College comedy Company costumes create Critics cultural curriculum Date Decade developed direction director drama Edith Evans educational effort England English fact film fine art follow Forest human important interpretation January journal Katharine Hepburn legacy Library lighting lives London method Michael Miss Evans Miss Hepburn nature nomination offers Old Vic Online opening original Orlando Oscar paradigm performance play played Rosalind portrayal portrayed preparation present production reader Review role romantic Rosalind scene scenery Shakespeare spirit stage history star style success suggest Teaching technical Theatre Theatre Arts theatrical theory thesis transformed twentieth century Vanessa Redgrave voice woman women writing York
Populaire passages
Pagina xx - Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modem instances; And so he plays his part.