V. These words exchanged, the news sent off VI. The Devil's corpse was leaded down; Mourning-coaches many a one Followed his hearse along the town : Where was the Devil himself? VII. When Peter heard of his promotion, VIII. He hired a house, bought plate, and made A genteel drive up to his door, With sifted gravel neatly laid, As if defying all who said Peter was ever poor. IX. But a disease soon struck into The very life and soul of Peter. x. And yet a strange and horrid curse Clung upon Peter, night and day. Month after month the thing grew worse, And deadlier than in this my verse I can find strength to say. ΧΙ. Peter was dull-(he was at first Whether he talked, wrote, or rehearsed, XII. No one could read his books-no mortal, But a few natural friends, would hear him; The parson came not near his portal; Described by Swift-no man could bear him. XIII. His sister, wife, and children, yawned, With a long, slow, and drear ennui All human patience far beyond; Their hopes of heaven each would have pawned Anywhere else to be. XIV. But in his verse and in his prose The essence of his dullness was Concentred and compressed so close 'Twould have made Guatimozin doze On his red gridiron of brass. xv. A printer's boy, folding those pages, Like those famed Seven who slept three ages. As opiates, were the same applied. XVI. Even the Reviewers who were hired To do the work of his reviewing, With adamantine nerves, grew tired ;Gaping and torpid they retired, To dream of what they should be doing. XVII. And worse and worse the drowsy curse A wide contagious atmosphere XVIII. His servant-maids and dogs grew dull; All grew dull as Peter's self. XIX. The earth under his feet, the springs Were dead to their harmonious strife. xx. The birds and beasts within the wood, The insects and each creeping thing, Were now a silent multitude; Love's work was left unwrought-no brood Near Peter's house took wing. XXI. And every neighbouring cottager Stupidly yawned upon the other; No jackass brayed; no little cur XXII. Yet all from that charmed district went XXIII. No bailiff dared within that space, The yawn of such a venture. XXIV. Seven miles above-below-around This pest of dullness holds its sway; SHELLEY'S NOTES TO PETER BELL THE THIRD. P. 3. And a polygamic Potter. The oldest scholiasts read "A dodecagamic Potter." This is at once more descriptive and more megalophonous, -but the alliteration of the text had captivated the vulgar ear of the herd of later commentators. P. 4. He oiled his hair. To those who have not duly appreciated the distinction between Whale and Russia oil, this attribute might rather seem to belong to the Dandy than the Evangelic. The effect, when to the windward, is indeed so similar that it requires a subtle naturalist to discriminate the animals. They belong, however, to distinct genera. P. 9. Like cats, who amant miserè. One of the attributes in Linnæus's description of the Cat. To a similar cause the caterwauling of more than one species of this genus is to be referred;-except, indeed, that the poor quadruped is compelled to quarrel with its own pleasures, whilst the biped is supposed only to quarrel with those of others. P. 9. Of their own virtue, and pursuing Without which what were chastity? What would this husk and excuse for a virtue be without its kernel prostitution, or the kernel prostitution without this husk of a virtue? I wonder the women of the town do not form an association, like the Society for the Suppression of Vice, for the support of what may be called the "King, Church, and Constitution," of their order. But this subject is almost too horrible for a joke. P. 10. 'Tis a lie to say "God damns." This libel on our national oath, and this accusation of all our countrymen of being in the daily practice of solemnly asseverating the most enormous falsehood, I fear deserves the notice of a more active Attorney General than that here alluded to. PETER BELL THE THIRD—MRS SHELLEY'S NOTE. 29 P. 19. From God's own voice. Vox populi vox Dei. As Mr. Godwin truly observes of a more famous saying, of some merit as a popular maxim, but totally destitute of philosophical accuracy. P. 20. When the book came, the Devil sent Quasi, Qui valet verba-i. e. all the words which have been, are, or may be, expended by, for, against, with, or on, him. A sufficient proof of the utility of this history. Peter's progenitor who selected this name seems to have possessed a pure anticipated cognition of the nature and modesty of this ornament of his posterity. P. 22. As when he tramped beside the Otter. A famous river in the new Atlantis of the Dynastophilic Pantisocratists. P. 22. Shades like a rainbow's rise and flee, See the description of the beautiful colours produced during the agonizing death of a number of trout, in the fourth part of a long poem in blank verse, published within a few years. That poem contains curious evidence of the gradual hardening of a strong but circumscribed sensibility, of the perversion of a penetrating but panic-stricken understanding. The author might have derived a lesson which he had probably forgotten from these sweet and sublime verses: "The lesson, Shepherd, let us two divide, Taught both by what she shows and what conceals- P. 24. It was thou, Devil, dining with pure intent. It is curious to observe how often extremes meet. Cobbett and Peter use the same language for a different purpose: Peter is indeed a sort of metrical Cobbet. Cobbett is, however, more mischievous than Peter, because he pollutes a holy and now unconquerable cause with the principles of legitimate murder; whilst the other only makes a bad one ridiculous and odious. If either Peter or Cobbett should see this note, each will feel more indignation at being compared to the other than at any censure implied in the moral perversion laid to their charge. NOTE ON PETER BELL THE THIRD, BY MRS. SHELLEY. In this new edition I have added Peter Bell the Third. A critique on Wordsworth's Peter Bell reached us at Leghorn, which amused Shelley exceedingly, and suggested this poem. I need scarcely observe that nothing personal to the author of Peter Bell is intended in this poem. No man ever admired Wordsworth's poetry more; he read it perpetually, and taught others to appreciate its beauties. This poem is, like all others written by Shelley, ideal. He conceived the idealism of a poet-a man of * Nature. |