hard to recollect any reproach cast upon him, either serious or ludicrous, through the whole remaining part of his life. He pursued his studies, or his amusements, without persecution, molestation, or insult. Such is the reverence paid to great abilities, however misused: they who contemplated in Milton the scholar and the wit were contented to forget the reviler of his King.

When the plague (1665) raged in London, Milton took refuge at Chalfont, in Bucks; where Elwood, who had taken the house for him, first saw a complete copy of "Paradise Lost;" and, having perused it, said to him, "Thou hast said a great deal upon 'Paradise Lost;' what hast thou to say upon Paradise found?"

Next year, when the danger of infection had ceased, he returned to Bunhill-fields, and designed the publication of his poem. A license was necessary, and he could expect no great kindness from a chaplain of the Archbishop of Canterbury. He seems, however, to have been treated with tenderness; for though objections were made to particular passages, and among them to the simile of the sun eclipsed in the first book, yet the license was granted; and he sold his copy, April, 27, 1667, to Samuel Simmons, for an immediate payment of five pounds, with a stipulation to receive five pounds more when thirteen hundred should be sold of the first edition; and again, five pounds after the sale of the same number of the second edition; and another five pounds after the same sale of the third. None of the three editions were to be extended beyond fifteen hundred copies.

The first edition was of ten books, in a small quarto. The titles were varied from year to year; and an advertisement and the arguments of the books were omitted in some copies, and inserted in others.

The sale gave him in two years a right to his second payment, for which the receipt was signed April 26, 1669. The second edition was not given till 1674; it was printed in small octavo; and the number of books was increased to twelve, by a division of the seventh and twelfth; and some other small improvements were made. The third edition

was published in 1678; and the widow, to whom the copy was then to devolve, sold all her claims to Simmons for eight pounds, according to her receipt given Dec. 21, 1680. Simmons had already agreed to transfer the whole right to

Brabazon Aylmer, for twenty-five pounds; and Aylmer sold to Jacob Tonson half, August 17, 1683, and half, March 24, 1690, at a price considerably enlarged. In the history of "Paradise Lost" a deduction thus minute will rather gratify than fatigue.

The slow sale and tardy reputation of this poem have been always mentioned as evidences of neglected merit, and of the uncertainty of literary fame; and inquiries have been made, and conjectures offered, about the causes of its long obscurity and late reception. But has the case been truly stated? Have not lamentation and wonder been lavished on an evil that was never felt?

That in the reigns of Charles and James, the "Paradise Lost" received no public acclamations, is readily confessed. Wit and literature were on the side of the court: and who that solicited favour or fashion would venture to praise the defender of the regicides? All that he himself could think his due, from evil tongues in evil days, was that reverential silence which was generously preserved. But it cannot be inferred, that his poem was not read, or not, however unwillingly, admired.

The sale, if it be considered, will justify the public. Those who have no power to judge of past times but by their own, should always doubt their conclusions. The call for books was not in Milton's age what it is in the present. To read was not then a general amusement; neither traders, nor often gentlemen, thought themselves disgraced by ignorance. The women had not then aspired to literature, nor was every house supplied with a closet of knowledge. Those, indeed, who professed learning, were not less learned than at any other time; but of that middle race of students who read for pleasure or accomplishment, and who buy the numerous products of modern typography, the number was then comparatively small. To prove the paucity of readers, it may sufficient to remark, that the nation had been satisfied from 1623 to 1664, that is, forty-one years, with only two editions of the works of Shakspeare, which probably did not together make one thousand copies.

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The sale of thirteen hundred copies in two years, in opposition to so much recent enmity, and to a style of versification new to all and disgusting to many, was an uncommon example of the prevalence of genius. The demand did not immediately

increase; for many more readers than were supplied at first the nation did not afford. Only three thousand were sold in eleven years; for it forced its way without assistance; its admirers did not dare to publish their opinion; and the opportunities now given of attracting notice by advertisments were then very few; the means of proclaiming the publication of new books have been produced by that general literature which now pervades the nation through all its ranks.

But the reputation and price of the copy still advanced, till the Revolution put an end to the secrecy of love, and "Paradise Lost" broke into open view with sufficient security of kind reception.

Fancy can hardly forbear to conjecture with what temper Milton surveyed the silent progress of his work, and marked its reputation stealing its way in a kind of subterraneous current through fear and silence. I cannot but conceive him calm and confident, little disappointed, not at all dejected, relying on his own merit with steady consciousness, and waiting without impatience the vicissitudes of opinion, and the impartiality of a future generation.

In the mean time he continued his studies, and supplied the want of sight by a very odd expedient, of which Philips gives the following account:

Mr. Philips tells us, "that though our Author had daily about him one or other to read, some persons of man's estate, who, of their own accord, greedily catched at the opportunity of being his readers, that they might as well reap the benefit of what they read to him, as oblige him by the benefit of their reading; and others of younger years were sent by their parents to the same end; yet excusing only the daughter by reason of her bodily infirmity and difficult utterance of speech (which, to say truth, I doubt was the principal cause of excusing her) the other two were condemned to the performance of reading, and exactly pronouncing of all the languages of whatever book he should, at one time or other, think fit to peruse; viz. the Hebrew (and, I think, the Syriac), the Greek, the Latin, the Italian, Spanish, and French. All which sorts of books to be confined to read, without understanding one word, must needs be a trial of patience almost beyond endurance. Yet it was endured by both for a long time, though the irksomeness of this employment could not be always concealed, but broke out more and more into ex

pressions of uneasiness; so that at length they were all, even the eldest also, sent out to learn some curious and ingenious sorts of manufacture, that are proper for women to learn, particularly embroideries in gold or silver."

In the scene of misery which this mode of intellectual labour sets before our eyes, it is hard to determine whether the daughters or the father are most to be lamented. A language not understood can never be so read as to give pleasure, and very seldom so as to convey meaning. If few men would have had resolution to write books with such embarrassments, few likewise would have wanted ability to find some better expedient.

Three years after his "Paradise Lost" (1667), he published his "History of England," comprising the whole fable of Geoffrey of Monmouth, and continued to the Norman Invasion. Why he should have given the first part, which he seems not to believe, and which is universally rejected, it is difficult to conjecture. The style is harsh; but it has something of rough vigour, which perhaps may often strike, though it cannot please.

On this history the licenser again fixed his claws, and before he would transmit it to the press tore out several parts. Some censures of the Saxon monks were taken away, lest they should be applied to the modern clergy; and a character of the Long Parliament and Assembly of Divines was excluded; of which the author gave a copy to the Earl of Anglesey, and which, being afterwards published, has been since inserted in its proper place.

The same year were printed, "Paradise Regained" and "Sampson Agonistes," a tragedy written in imitation of the ancients, and never designed by the Author for the stage. As these poems were published by another bookseller, it has been asked whether Simmons was discouraged from receiving them by the slow sale of the former. Why a writer changed his bookseller a hundred years ago, I am far from hoping to discover. Certainly, he, who in two years sells thirteen hundred copies of a volume in quarto, bought for two payments of five pounds each, has no reason to repent his purchase.

When Milton shewed "Paradise Regained" to Elwood, "This," said he, "is owing to you; for you put it in my

head by the question you put to me at Chalfont, which otherwise I had not thought of."

His last poetical offspring was his favourite. He could not, as Elwood relates, endure to hear "Paradise Lost" preferred to "Paradise Regained." Many causes may vitiate a writer's judgment of his own works. On that which has cost him much labour he sets a high value, because he is unwilling to think that he has been diligent in vain; what has been produced without toilsome efforts is considered with delight, as a proof of vigorous faculties and fertile invention; and the last work, whatever it be, has necessarily most of the grace of novelty. Milton, however it happened, had this prejudice, and had it to himself.

To that multiplicity of attainments, and extent of comprehension, that entitled this great Author to our veneration, may be added a kind of humble dignity, which did not disdain the meanest services to literature. The epic poet, the controvertist, the politician, having already descended to accommodate children with a book of rudiments, now, in the last years of his life, composed a book of logic for the initiation of students in philosophy; and published (1672), Artis Logica plenior Institutio ad Petri Rami Methodum concinnata; that is, "A new Scheme of Logic, according to the Method of Ramus." I know not whether, even in this book, he did not intend an act of hostility against the Universities; for Ramus was one of the first oppugners of the old philosophy, who disturbed with innovations the quiet of the schools.

His polemical disposition again revived. He had now been safe so long, that he forgot his fears, and published a "Treatise of true Religion, Heresy, Schism, Toleration, and the best Means to prevent the Growth of Popery."

But this little tract is modestly written, with respectful mention of the Church of England, and an appeal to the Thirty-nine Articles. His principle of toleration is, agreement in the sufficiency of the Scriptures; and he extends it to all who, whatever their opinions are, profess to derive them from the Sacred Books. The papists appeal to other testimonies, and are therefore, in his opinion, not to be permitted the liberty of either public or private worship; for though they plead conscience, 66 we have no warrant," regard conscience which is not grounded in Scripture.' Those who are not convinced by his reasons, may be

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