Jane Austen's Textual Lives: From Aeschylus to BollywoodOUP Oxford, 6 okt 2005 - 408 pagina's Through three intertwined histories Jane Austen's Textual Lives offers a new way of approaching and reading a very familiar author. One is a history of the transmission and transformation of Jane Austen through manuscripts, critical editions, biographies, and adaptations; a second provides a conspectus of the development of English Studies as a discipline in which the original and primary place of textual criticism is recovered; and a third reviews the role of Oxford University Press in shaping a canon of English texts in the twentieth century. Jane Austen can be discovered in all three. Since her rise to celebrity status at the end of the nineteenth century, Jane Austen has occupied a position within English-speaking culture that is both popular and canonical, accessible and complexly inaccessible, fixed and certain yet wonderfully amenable to shifts of sensibility and cultural assumptions. The implied contradiction was represented in the early twentieth century by, on the one hand, the Austen family's continued management, censorship, and sentimental marketing of the sweet lady novelist of the Hampshire countryside; and on the other, by R. W. Chapman's 1923 Clarendon Press edition of the Novels of Jane Austen, which subjected her texts to the kind of scholarly probing reserved till then for classical Greek and Roman authors obscured by centuries of attrition. It was to be almost fifty years before the Clarendon Press considered it necessary to recalibrate the reputation of another popular English novelist in this way. Beginning with specific encounters with three kinds of textual work and the problems, clues, or challenges to interpretation they continue to present, Kathryn Sutherland goes on to consider the absence of a satisfactory critical theory of biography that can help us address the partial life, and ends with a discussion of the screen adaptations through which the texts continue to live on. Throughout, Jane Austen's textual identities provide a means to explore the wider issue of what text is and to argue the importance of understanding textual space as itself a powerful agent established only by recourse to further interpretations and fictions. |
Vanuit het boek
Resultaten 1-5 van 50
Pagina vii
... Watsons , the cancelled ending to Persuasion , and the unfinished Sanditon - as challenges to our image of a writer constituted exclusively through print . The striking fact about the manuscripts is that they exist only for material ...
... Watsons , the cancelled ending to Persuasion , and the unfinished Sanditon - as challenges to our image of a writer constituted exclusively through print . The striking fact about the manuscripts is that they exist only for material ...
Pagina x
... Watsons ; the Na- tional Portrait Gallery for the Chapman - Hake correspondence ; Oxford University Press and Mr David Chapman for correspondence relating to the publication of Jane Austen's novels . A version of Chapter 2 , Section ii ...
... Watsons ; the Na- tional Portrait Gallery for the Chapman - Hake correspondence ; Oxford University Press and Mr David Chapman for correspondence relating to the publication of Jane Austen's novels . A version of Chapter 2 , Section ii ...
Pagina xiii
... Watsons : Jane Austen's other Bath novel iii . Persuasion : from manuscript to print iv . Sanditon XV xviii I I 16 6 36 23 36 55 55 70 82 87 IIO 118 118 128 148 168 4. Textual Identities : Part I i . ' Print settles it ' ii ...
... Watsons : Jane Austen's other Bath novel iii . Persuasion : from manuscript to print iv . Sanditon XV xviii I I 16 6 36 23 36 55 55 70 82 87 IIO 118 118 128 148 168 4. Textual Identities : Part I i . ' Print settles it ' ii ...
Pagina xvi
... Watsons . By kind permission of Sir Peter Michael and Queen Mary and Westfield College , University of London . 16. Holograph manuscript pages of Persuasion ( MS . Egerton 3038 ) , part of the passage added at the end of the fragment ...
... Watsons . By kind permission of Sir Peter Michael and Queen Mary and Westfield College , University of London . 16. Holograph manuscript pages of Persuasion ( MS . Egerton 3038 ) , part of the passage added at the end of the fragment ...
Pagina 3
... Watsons , the cancelled chapter of Persuasion , and a brief summary of Sanditon ) . The last complete edition from the Bentley house , and the first to issue the novels as a discrete set in the order of their earliest publication , the ...
... Watsons , the cancelled chapter of Persuasion , and a brief summary of Sanditon ) . The last complete edition from the Bentley house , and the first to issue the novels as a discrete set in the order of their earliest publication , the ...
Overige edities - Alles bekijken
Jane Austen's Textual Lives: From Aeschylus to Bollywood Kathryn Sutherland Geen voorbeeld beschikbaar - 2005 |
Jane Austen's Textual Lives: From Aeschylus to Bollywood Kathryn Sutherland Geen voorbeeld beschikbaar - 2005 |
Veelvoorkomende woorden en zinsdelen
Anna Lefroy Anna's Anne annotation appears Aunt Jane Austen text Austen-Leigh Austen's novels Bibliography biography Booklet Brabourne Brontë brother Cambridge Cassandra Catherine Hubback Chapters of Persuasion characters Charlotte Charlotte Brontë Chawton Clarendon Press classic copy correction cultural detail draft E. M. Forster early editor emendation Emma English essay evidence faircopy Family Record Fanny Caroline fiction film fragment Gilson Godmersham Henry heroine holograph manuscript Hubback Ibid imagination James Edward Jane Austen Jane Austen's Letters Jane's Janeites juvenilia kind permission Lady Susan later Lefroy's Library literary literature London Mansfield Park Martha Lloyd Mary Memoir Miss modern narrative niece Northanger Abbey notes novelist Oxford University Press particular passage portrait Pride and Prejudice publication published punctuation Q. D. Leavis R. W. Chapman reader reading reprint revision romantic Sanditon Sense and Sensibility sister social Steventon story suggests textual criticism transcription twentieth century visual voice vols Volume Watsons writing written
Populaire passages
Pagina 85 - An accurate daguerreotyped portrait of a commonplace face; a carefully fenced, highly cultivated garden, with neat borders and delicate flowers; but no glance of a bright, vivid physiognomy, no open country, no fresh air, no blue hill, no bonny beck. I should hardly like to live with her ladies and gentlemen, in their elegant but confined houses.
Pagina 200 - Cantos of Spenser, into the Irish Channel. How it staggered me to see the fine things in their ore ! interlined, corrected ! as if their words were mortal, alterable, displaceable at pleasure ! as if they might have been otherwise, and just as good ! as if inspiration were made up of parts, and these fluctuating, successive, indifferent ! I will never go into the workshop of any great artist again...
Pagina 173 - ... to pass quietly and carefully down the steep flight, excepting Louisa; she must be jumped down them by Captain Wentworth. In all their walks he had had to jump her from the stiles; the sensation was delightful to her.
Pagina 86 - Jane Austen was successful in everything that she attempted with her fingers. None of us could throw spilikins in so perfect a circle, or take them off with so steady a hand. Her performances with cup and ball were marvellous. The one used at Chawton was an easy one, and she has been known to catch it on the point above an hundred times in succession, till her hand was weary.
Pagina 49 - The considerable slope, at nearly the foot of which the Abbey stood, gradually acquired a steeper form beyond its grounds; and at half a mile distant was a bank of considerable abruptness and grandeur, well clothed with wood ; and at the bottom of this bank, favourably placed and sheltered, rose the Abbey-Mill Farm, with meadows in front, and the river making a close and handsome curve around it.
Pagina 7 - IN the first place, Cranford is in possession of the Amazons; all the holders of houses, above a certain rent, are women. If a married couple come to settle in the town, somehow the gentleman disappears; he is either fairly frightened to death by being the only man in...
Pagina 60 - It is not by the direct method of a scrupulous narration that the explorer of the past can hope to depict that singular epoch. If he is wise, he will adopt a subtler strategy. He will attack his subject in unexpected places; he will fall upon the flank, or the rear; he will shoot a sudden, revealing searchlight into obscure recesses, hitherto undivined. He will row out over that great ocean of material, and lower down into it, here and there, a little bucket, which will bring up to the light of day...
Pagina 151 - ... so probably on account of the weak state of her health, so that one night she retired to rest in very low spirits. But such depression was little in accordance with her nature, and was soon shaken off. The next morning she awoke to more cheerful views and brighter inspirations; the sense of power revived, and imagination resumed its course. She cancelled the condemned chapter, and wrote two others, entirely different, in its stead.