Shakspere's Predecessors in the English Drama, Volume 4Smith, Elder & Company, 1884 - 668 pagina's |
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Pagina xiv
... Force and Versification . - VII . Failure of this Pseudo - Classical Attempt - What it effected for English Tragedy . PAGE 211 CHAPTER VII . TRIUMPH OF THE ROMANTIC DRAMA . I. Fifty - two Plays at Court - Analysis of their Subjects ...
... Force and Versification . - VII . Failure of this Pseudo - Classical Attempt - What it effected for English Tragedy . PAGE 211 CHAPTER VII . TRIUMPH OF THE ROMANTIC DRAMA . I. Fifty - two Plays at Court - Analysis of their Subjects ...
Pagina 3
... force and exuberant fertility , in a space of time almost unparalleled for brevity . The unity of his subject , the organic interdependence of its several parts , is what he has to keep before his mind . Three stages may be marked in ...
... force and exuberant fertility , in a space of time almost unparalleled for brevity . The unity of his subject , the organic interdependence of its several parts , is what he has to keep before his mind . Three stages may be marked in ...
Pagina 8
... force in Raphael , Da Vinci , Michelangelo , Correggio , Titian ; then , as though its inner source of life had been ex- hausted , breaks off into extravagance , debility , and facile formalism in the works of Giulio Romano , Perino LAW ...
... force in Raphael , Da Vinci , Michelangelo , Correggio , Titian ; then , as though its inner source of life had been ex- hausted , breaks off into extravagance , debility , and facile formalism in the works of Giulio Romano , Perino LAW ...
Pagina 10
... force . To unfold and to exhibit its potential faculties , is all that each can do . Granted favouring circumstances and no thwarting influence , it will pass through the phases of adolescence , maturity , and old age . But it cannot ...
... force . To unfold and to exhibit its potential faculties , is all that each can do . Granted favouring circumstances and no thwarting influence , it will pass through the phases of adolescence , maturity , and old age . But it cannot ...
Pagina 13
... forces combined to start the Drama in London . Various influences determined its development . For the English people it embodied a whole European phase of thought and feeling . It was for them the mirror of the six- teenth century ...
... forces combined to start the Drama in London . Various influences determined its development . For the English people it embodied a whole European phase of thought and feeling . It was for them the mirror of the six- teenth century ...
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
A. H. Bullen actors allegory Arden artistic audience beauty Ben Jonson blank verse called character Chronicle Chronicle Play classical Comedy comic Court criticism death devil dialogue doth Doubtful Plays dramatists Edward Elizabethan Endimion England English epoch Euphues Euphuism fancy Faustus Friar genius Gorboduc Greek Greene Greene's hand hath heaven hell Henry Heywood holy human Interlude Italian Italy Jew of Malta Jonson Juventus King Lady literary literature London Lord Lyly Lyly's lyric Marlowe Marlowe's Masque Master medieval Mephistophilis metre Miracles moral Moral Plays Mosbie motive murder Nash pageants Pardoner passion personages piece play players playwrights poet poetry popular Prince Queen reign rhyme Romantic Drama scene servant Shakspere Shakspere's soul spirit stage Stukeley style sweet Tamburlaine theatre thee things Thomas thou tion tragedy tragic trochee Vice Wendoll wife Witch of Edmonton words Yorkshire Tragedy youth
Populaire passages
Pagina 57 - tis the soul of peace ; Of all the virtues 'tis nearest kin to heaven ; It makes men look like gods. The best of men That e'er wore earth about him was a sufferer, A soft, meek, patient, humble, tranquil spirit, The first true gentleman that ever breath'd.
Pagina 226 - Thence what the lofty grave tragedians taught In chorus or iambic, teachers best Of moral prudence, with delight received In brief sententious precepts, while they treat Of fate, and chance, and change in human life, High actions, and high passions best describing : Thence to the famous orators repair, Those ancient, whose resistless eloquence Wielded at will that fierce democratic, Shook the arsenal, and fulmined over Greece To Macedon and Artaxerxes...
Pagina 593 - THE measure is English heroic verse without rime, as that of Homer in Greek, and of Virgil in Latin — rime being no necessary adjunct or true ornament of poem or good verse, in longer works especially, but the invention of a barbarous age, to set off wretched matter and lame metre...
Pagina 515 - Full little knowest thou that hast not tried What hell it is in suing long to bide ; To lose good days that might be better spent, To waste long nights in pensive discontent, To speed to-day, to be put back to-morrow, To feed on hope, to pine with fear and sorrow, To have thy prince's grace yet want her Peers...
Pagina 49 - tis too horrible ! The weariest and most loathed worldly life, ^ That age, ache, penury, and imprisonment Can lay on nature, is a paradise To what we fear of death.
Pagina 319 - But He, her fears to cease, Sent down the meek-eyed Peace ; She, crowned with olive green, came softly sliding Down through the turning sphere His ready harbinger, With turtle wing the amorous clouds dividing; And waving wide her myrtle wand, She strikes a universal peace through sea and land.
Pagina 615 - Was this the face that launched a thousand ships And burnt the topless towers of Ilium ?— Sweet Helen, make me immortal with a kiss. Her lips suck forth my soul : see, where it flies! Come, Helen, come, give me my soul again. Here will I dwell, for heaven is in these lips, And all is dross that is not Helena.
Pagina 388 - How would it have joyed brave Talbot, the terror of the French, to think that after he had lain two hundred years in his tomb, he should triumph again on the stage and have his bones new embalmed with the tears of ten thousand spectators at least (at several times), who, in the tragedian that represents his person, imagine they behold him fresh bleeding...
Pagina 434 - I have heard That guilty creatures, sitting at a play, Have by the very cunning of the scene Been struck so to the soul that presently They have proclaim'd their malefactions; For murder, though it have no tongue, will speak With most miraculous organ.
Pagina 49 - Ay, but to die, and go we know not where ; To lie in cold obstruction, and to rot ; This sensible warm motion to become A kneaded clod...