Shakespeare and Masculinity

Voorkant
Oxford University Press, 2000 - 182 pagina's
Oxford Shakespeare Topics (General Editors Peter Holland and Stanley Wells) provide students, teachers, and interested readers with short books on important aspects of Shakespeare criticism and scholarship, including some general anthologies relating to Shakespeare. Richard III, Romeo, Prince Harry, Malvolio, Hamlet, Lear, Antony, Coriolanus, Prospero: Shakespeare's roster of male protagonists is astonishingly various. Shakespeare and Masculinity juxtaposes these memorable characters with the medical beliefs, ethical ideals, and social realities that shaped masculine identity for Shakespeare, as for his fellow actors and their audiences. At the same time it explores the process of male self-definition against various sorts of 'others' - women, foreigners, social inferiors, sodomites. Reflecting the truth that the plays' principal existence is in the live theatre, the book finishes with a transhistorical, multicultural survey of how masculinity has been performed in productions of Shakespeare's plays - in France, Germany, Hungary, Iraq, Japan, and elsewhere - and with a challenge to imagine masculinity in fuller and more satisfying ways.

Vanuit het boek

Inhoudsopgave

III
7
IV
39
V
67
VI
101
VII
131
VIII
162
IX
175
X
179
Copyright

Overige edities - Alles bekijken

Veelvoorkomende woorden en zinsdelen

Over de auteur (2000)

Bruce R. Smith is at Georgetown University, Washington, DC.

Bibliografische gegevens