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Pagina 29
The “ S - T - I - C - K ” forgotten in the car and bearing the initials of the victim is the fatal object that causes Hermann's despair and gives the title to his tale . At least ten times in the course of the story the reader is ...
The “ S - T - I - C - K ” forgotten in the car and bearing the initials of the victim is the fatal object that causes Hermann's despair and gives the title to his tale . At least ten times in the course of the story the reader is ...
Pagina 57
the text may be immediately ( if sometimes only temporarily ) associated with a certain genre , the fairy tale.13 This association is possible because the conventional fairy tale beginning is highly formulaic and easily recognized ...
the text may be immediately ( if sometimes only temporarily ) associated with a certain genre , the fairy tale.13 This association is possible because the conventional fairy tale beginning is highly formulaic and easily recognized ...
Pagina 78
Dickens and the Invisible World : Fairy Tales , Fantasy and Novel - Making . ... walked to church every afhistorical study of Dickens's relation to the ternoon in her wedding dress ; and in Dickliterature of the fairy tale .
Dickens and the Invisible World : Fairy Tales , Fantasy and Novel - Making . ... walked to church every afhistorical study of Dickens's relation to the ternoon in her wedding dress ; and in Dickliterature of the fairy tale .
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Articles | 1 |
Myth and | 49 |
On Narrative Transitions in the Prologue | 74 |
Copyright | |
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accept acts already analysis appears approach attempt becomes beginning CALIFORNIA calls castration chapter communication complex concept concerned context continues course Cranford created critics culture death deconstruction define describe desire discourse discussion elements essay evolution example existence expectations experience explain fact father fiction final foregrounding function genre German Hermann human idea ideology important interest interpretation kind language LIBRARY linguistic literary literature Marxism meaning metaphor method München narrative narrator nature novel object once opening Orientalism origin poem poetic possible practical pragmatics present Press principle problem progressive provides question reader reading reception reference relation result rhetoric Schreber seems semiotics sense sequence situation social story structure suggests takes tale textual theory tion tradition transformation understand Univ UNIVERSITY various Victor writing York