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Pagina 50
But whereas the savage mind finds these structures beneath the surface of various myths , the modern mind finds them not only beneath the ... Myths , for instance , always possess a narrative structure ; scientific theories do not .
But whereas the savage mind finds these structures beneath the surface of various myths , the modern mind finds them not only beneath the ... Myths , for instance , always possess a narrative structure ; scientific theories do not .
Pagina 96
32 a more a literary texts presupposes an adequate The integral text is seen analysis of the surface structure ( es- segmented by various surface criteria pecially of the narrator's role in such as the use of tense and modality ...
32 a more a literary texts presupposes an adequate The integral text is seen analysis of the surface structure ( es- segmented by various surface criteria pecially of the narrator's role in such as the use of tense and modality ...
Pagina 63
Not repulsion ( installed through the young man's initiative ) Repulsion is neutralized The narrative program , fleshing out this deep structure , would tell the story of the young man's success in awakening in the girl emotions and ...
Not repulsion ( installed through the young man's initiative ) Repulsion is neutralized The narrative program , fleshing out this deep structure , would tell the story of the young man's success in awakening in the girl emotions and ...
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Inhoudsopgave
Articles | 1 |
Myth and | 49 |
On Narrative Transitions in the Prologue | 74 |
Copyright | |
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accept acts already analysis appears approach attempt becomes beginning CALIFORNIA calls castration chapter communication complex concept concerned context continues course Cranford created critics culture death deconstruction define describe desire discourse discussion elements essay evolution example existence expectations experience explain fact father fiction final foregrounding function genre German Hermann human idea ideology important interest interpretation kind language LIBRARY linguistic literary literature Marxism meaning metaphor method München narrative narrator nature novel object once opening Orientalism origin poem poetic possible practical pragmatics present Press principle problem progressive provides question reader reading reception reference relation result rhetoric Schreber seems semiotics sense sequence situation social story structure suggests takes tale textual theory tion tradition transformation understand Univ UNIVERSITY various Victor writing York