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Pagina 74
While I agree in principle with this critical assumption , it is my belief that the stories within stories in ... unrelated narrative units : A. Rabelais's ( the author - narrator's ) personal story about his vision problem and the ...
While I agree in principle with this critical assumption , it is my belief that the stories within stories in ... unrelated narrative units : A. Rabelais's ( the author - narrator's ) personal story about his vision problem and the ...
Pagina 75
Here , the authornarrator tells two anecdotes : the tale of Zacchaeus and the story of a prophet who loses his axe in the water . These anecdotes in turn serve as an overture to the primary story of Couillatris and his hatchet , which ...
Here , the authornarrator tells two anecdotes : the tale of Zacchaeus and the story of a prophet who loses his axe in the water . These anecdotes in turn serve as an overture to the primary story of Couillatris and his hatchet , which ...
Pagina 80
One story line abruptly displaces another , just as it appeared to be coming to an end ; the resolution of narrative unit B is left in suspense . During this pause a new story will develop on the metadiegetic level .
One story line abruptly displaces another , just as it appeared to be coming to an end ; the resolution of narrative unit B is left in suspense . During this pause a new story will develop on the metadiegetic level .
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Inhoudsopgave
Articles | 1 |
Myth and | 49 |
On Narrative Transitions in the Prologue | 74 |
Copyright | |
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accept acts already analysis appears approach attempt becomes beginning CALIFORNIA calls castration chapter communication complex concept concerned context continues course Cranford created critics culture death deconstruction define describe desire discourse discussion elements essay evolution example existence expectations experience explain fact father fiction final foregrounding function genre German Hermann human idea ideology important interest interpretation kind language LIBRARY linguistic literary literature Marxism meaning metaphor method München narrative narrator nature novel object once opening Orientalism origin poem poetic possible practical pragmatics present Press principle problem progressive provides question reader reading reception reference relation result rhetoric Schreber seems semiotics sense sequence situation social story structure suggests takes tale textual theory tion tradition transformation understand Univ UNIVERSITY various Victor writing York