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Pagina 56
In a sense , the audience confronts the same difficulty as the characters in the film in that both must make sense of the strange and mysterious events that compose the narrative sequence . By omitting from the film any clear indication ...
In a sense , the audience confronts the same difficulty as the characters in the film in that both must make sense of the strange and mysterious events that compose the narrative sequence . By omitting from the film any clear indication ...
Pagina 75
Thus , what is accessible to all readers , and forms the basis of an objective reading of Comus , is not any particular explanation of any one critic but the discrepancies that all of the critics sense between the ostensible Christian ...
Thus , what is accessible to all readers , and forms the basis of an objective reading of Comus , is not any particular explanation of any one critic but the discrepancies that all of the critics sense between the ostensible Christian ...
Pagina 80
It gives a false sense of indepen- condition of freedom that inheres in landence and control which , in his comments guage at all times , although it rarely , and on Bradley Headstone for instance , is as- never quite , announces itself ...
It gives a false sense of indepen- condition of freedom that inheres in landence and control which , in his comments guage at all times , although it rarely , and on Bradley Headstone for instance , is as- never quite , announces itself ...
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Inhoudsopgave
Articles | 1 |
Myth and | 49 |
On Narrative Transitions in the Prologue | 74 |
Copyright | |
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accept acts already analysis appears approach attempt becomes beginning CALIFORNIA calls castration chapter communication complex concept concerned context continues course Cranford created critics culture death deconstruction define describe desire discourse discussion elements essay evolution example existence expectations experience explain fact father fiction final foregrounding function genre German Hermann human idea ideology important interest interpretation kind language LIBRARY linguistic literary literature Marxism meaning metaphor method München narrative narrator nature novel object once opening Orientalism origin poem poetic possible practical pragmatics present Press principle problem progressive provides question reader reading reception reference relation result rhetoric Schreber seems semiotics sense sequence situation social story structure suggests takes tale textual theory tion tradition transformation understand Univ UNIVERSITY various Victor writing York