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Pagina 8
name , constitutes the subject's departure from the instability of the Imaginary experience of language , in which the relation between word and thing and of identity itself is potentially capable of infinite doubling .
name , constitutes the subject's departure from the instability of the Imaginary experience of language , in which the relation between word and thing and of identity itself is potentially capable of infinite doubling .
Pagina 50
Outside discourse ... words acquire relations of a different kind . Those that have something in common are associated in the memory , resulting in groups marked by diverse relations . ... Those [ relations ) formed outside discourse ...
Outside discourse ... words acquire relations of a different kind . Those that have something in common are associated in the memory , resulting in groups marked by diverse relations . ... Those [ relations ) formed outside discourse ...
Pagina 61
In addition , reminding us of the importance of analogy as a structural principle in medieval romance , Maddox continues , " Many of these so - called ' analogues ' are in effect homologous binary sets in a relation of transformation ...
In addition , reminding us of the importance of analogy as a structural principle in medieval romance , Maddox continues , " Many of these so - called ' analogues ' are in effect homologous binary sets in a relation of transformation ...
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Articles | 1 |
Myth and | 49 |
On Narrative Transitions in the Prologue | 74 |
Copyright | |
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accept acts already analysis appears approach attempt becomes beginning CALIFORNIA calls castration chapter communication complex concept concerned context continues course Cranford created critics culture death deconstruction define describe desire discourse discussion elements essay evolution example existence expectations experience explain fact father fiction final foregrounding function genre German Hermann human idea ideology important interest interpretation kind language LIBRARY linguistic literary literature Marxism meaning metaphor method München narrative narrator nature novel object once opening Orientalism origin poem poetic possible practical pragmatics present Press principle problem progressive provides question reader reading reception reference relation result rhetoric Schreber seems semiotics sense sequence situation social story structure suggests takes tale textual theory tion tradition transformation understand Univ UNIVERSITY various Victor writing York