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Pagina 90
As such , it was The second escape route , not reinforced by the reception of French unrelated to the first , was a formalistic explication de texte and of Angloimmanentism , a new focusing on the American New Criticism , in particular ...
As such , it was The second escape route , not reinforced by the reception of French unrelated to the first , was a formalistic explication de texte and of Angloimmanentism , a new focusing on the American New Criticism , in particular ...
Pagina 105
The probably most long before the term Rezeption- valuable concept , that of the Erwarsästhetik was coined , literary criticism tungshorizont , has to be split up into had tackled problems of the reception various components ( such of ...
The probably most long before the term Rezeption- valuable concept , that of the Erwarsästhetik was coined , literary criticism tungshorizont , has to be split up into had tackled problems of the reception various components ( such of ...
Pagina 106
The concept of falsification , cism is preoccupied with structural i.e. , the possibility of eliminating or at text - analysis , reception theory and least recognizing " false " actualizations , communication theory tend to fuse is ...
The concept of falsification , cism is preoccupied with structural i.e. , the possibility of eliminating or at text - analysis , reception theory and least recognizing " false " actualizations , communication theory tend to fuse is ...
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Articles | 1 |
Myth and | 49 |
On Narrative Transitions in the Prologue | 74 |
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accept acts already analysis appears approach attempt becomes beginning CALIFORNIA calls castration chapter communication complex concept concerned context continues course Cranford created critics culture death deconstruction define describe desire discourse discussion elements essay evolution example existence expectations experience explain fact father fiction final foregrounding function genre German Hermann human idea ideology important interest interpretation kind language LIBRARY linguistic literary literature Marxism meaning metaphor method München narrative narrator nature novel object once opening Orientalism origin poem poetic possible practical pragmatics present Press principle problem progressive provides question reader reading reception reference relation result rhetoric Schreber seems semiotics sense sequence situation social story structure suggests takes tale textual theory tion tradition transformation understand Univ UNIVERSITY various Victor writing York