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Pagina 52
This kind of text may be said to be automatized because the narrative elements in the text follow one another in a predictable , formulaic fashion . Another way of viewing the distinction between paradigmatic and syntagmatic ...
This kind of text may be said to be automatized because the narrative elements in the text follow one another in a predictable , formulaic fashion . Another way of viewing the distinction between paradigmatic and syntagmatic ...
Pagina 55
The most important element in the tale , Marcher's egotism and ignorance , becomes foregrounded by the very fact that it is never mentioned . The reader and May both know what awaits Marcher and what can save him .
The most important element in the tale , Marcher's egotism and ignorance , becomes foregrounded by the very fact that it is never mentioned . The reader and May both know what awaits Marcher and what can save him .
Pagina 58
We must remember , though , that every text is paradigmatically foregrounded in that elements from sets of elements ... When an element is selected from a set of possible elements , like the “ Once upon a time " opening from the set of ...
We must remember , though , that every text is paradigmatically foregrounded in that elements from sets of elements ... When an element is selected from a set of possible elements , like the “ Once upon a time " opening from the set of ...
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Inhoudsopgave
Articles | 1 |
Myth and | 49 |
On Narrative Transitions in the Prologue | 74 |
Copyright | |
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accept acts already analysis appears approach attempt becomes beginning CALIFORNIA calls castration chapter communication complex concept concerned context continues course Cranford created critics culture death deconstruction define describe desire discourse discussion elements essay evolution example existence expectations experience explain fact father fiction final foregrounding function genre German Hermann human idea ideology important interest interpretation kind language LIBRARY linguistic literary literature Marxism meaning metaphor method München narrative narrator nature novel object once opening Orientalism origin poem poetic possible practical pragmatics present Press principle problem progressive provides question reader reading reception reference relation result rhetoric Schreber seems semiotics sense sequence situation social story structure suggests takes tale textual theory tion tradition transformation understand Univ UNIVERSITY various Victor writing York