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Pagina 31
He condenses in his own visage a panoply of metaphors that are themselves alluding to metaphors of the origin , and Victor beholds that process in the dream that follows his act of creation : I saw Elizabeth [ his fiancée ) walking in ...
He condenses in his own visage a panoply of metaphors that are themselves alluding to metaphors of the origin , and Victor beholds that process in the dream that follows his act of creation : I saw Elizabeth [ his fiancée ) walking in ...
Pagina 47
Frankenstein , after all , does resemble Caleb Williams ( 1794 ) , Godwin's tale of a servant pursued by a fiendish master , both of whom have created themselves in textual images . By the end of that novel the speaker is led to wonder ...
Frankenstein , after all , does resemble Caleb Williams ( 1794 ) , Godwin's tale of a servant pursued by a fiendish master , both of whom have created themselves in textual images . By the end of that novel the speaker is led to wonder ...
Pagina 55
In Corman's Usher , for instance , the gothic expectations created by the opening shots are fulfilled by the succeeding shots , and there is little surprise or new information in the film . But a film like Welles's Citizen Kane defeats ...
In Corman's Usher , for instance , the gothic expectations created by the opening shots are fulfilled by the succeeding shots , and there is little surprise or new information in the film . But a film like Welles's Citizen Kane defeats ...
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Inhoudsopgave
Articles | 1 |
Myth and | 49 |
On Narrative Transitions in the Prologue | 74 |
Copyright | |
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