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Pagina 105
as on can the Konstanz professor H. R. Jauss new concepts , have since been proved launched his seminal article82 and highly problematic . The probably most long before the term Rezeption- valuable concept , that of the Erwarsästhetik ...
as on can the Konstanz professor H. R. Jauss new concepts , have since been proved launched his seminal article82 and highly problematic . The probably most long before the term Rezeption- valuable concept , that of the Erwarsästhetik ...
Pagina 49
In this effort I shall take up the concept that Victor Shklovsky called “ deformation ” and Bohuslav Havranek called " foregrounding . " 4 Because the concepts are so closely related , and because Shklovsky's formulation is less precise ...
In this effort I shall take up the concept that Victor Shklovsky called “ deformation ” and Bohuslav Havranek called " foregrounding . " 4 Because the concepts are so closely related , and because Shklovsky's formulation is less precise ...
Pagina 84
And , of We do not notice that the concept “ switch ” is of course , “ the shapes of animals and plants are quite a different order from the concepts “ stone , ” transforms of messages . ” Which goes to " table , " and the like .
And , of We do not notice that the concept “ switch ” is of course , “ the shapes of animals and plants are quite a different order from the concepts “ stone , ” transforms of messages . ” Which goes to " table , " and the like .
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Articles | 1 |
Myth and | 49 |
On Narrative Transitions in the Prologue | 74 |
Copyright | |
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accept acts already analysis appears approach attempt becomes beginning CALIFORNIA calls castration chapter communication complex concept concerned context continues course Cranford created critics culture death deconstruction define describe desire discourse discussion elements essay evolution example existence expectations experience explain fact father fiction final foregrounding function genre German Hermann human idea ideology important interest interpretation kind language LIBRARY linguistic literary literature Marxism meaning metaphor method München narrative narrator nature novel object once opening Orientalism origin poem poetic possible practical pragmatics present Press principle problem progressive provides question reader reading reception reference relation result rhetoric Schreber seems semiotics sense sequence situation social story structure suggests takes tale textual theory tion tradition transformation understand Univ UNIVERSITY various Victor writing York