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Pagina 31
In Chapter 3 “ a puff of smoke ” coming from Hermann's cigarette is " folded by ghostly fingers ” before melting away in midair ( 65 ) . The same wind follows Hermann also in Chapter 5. Here , however , the quick - witted Hermann evades ...
In Chapter 3 “ a puff of smoke ” coming from Hermann's cigarette is " folded by ghostly fingers ” before melting away in midair ( 65 ) . The same wind follows Hermann also in Chapter 5. Here , however , the quick - witted Hermann evades ...
Pagina 33
likewise be no real resemblance between Hermann and Nabokov ( save a tinge of lilac from the name “ Sirin ” on Hermann's tie ) .13 They are linked by the act of creation , but this is a mere analogy .
likewise be no real resemblance between Hermann and Nabokov ( save a tinge of lilac from the name “ Sirin ” on Hermann's tie ) .13 They are linked by the act of creation , but this is a mere analogy .
Pagina 36
As in the case of Williams ( the mallet with initials ) , so in the case of Hermann ( Felix's stick bearing initials ) —both criminals are exposed by very similar objects . In both cases the newspapers do not mention anything about the ...
As in the case of Williams ( the mallet with initials ) , so in the case of Hermann ( Felix's stick bearing initials ) —both criminals are exposed by very similar objects . In both cases the newspapers do not mention anything about the ...
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Inhoudsopgave
Articles | 1 |
Myth and | 49 |
On Narrative Transitions in the Prologue | 74 |
Copyright | |
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accept acts already analysis appears approach attempt becomes beginning CALIFORNIA calls castration chapter communication complex concept concerned context continues course Cranford created critics culture death deconstruction define describe desire discourse discussion elements essay evolution example existence expectations experience explain fact father fiction final foregrounding function genre German Hermann human idea ideology important interest interpretation kind language LIBRARY linguistic literary literature Marxism meaning metaphor method München narrative narrator nature novel object once opening Orientalism origin poem poetic possible practical pragmatics present Press principle problem progressive provides question reader reading reception reference relation result rhetoric Schreber seems semiotics sense sequence situation social story structure suggests takes tale textual theory tion tradition transformation understand Univ UNIVERSITY various Victor writing York