Modern paintersBryan, Taylor, 1894 |
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Pagina 7
... PAINTING FROM IVY BRIDGE , BY TURNER , 165 · VII . BOTANY OF THIRTEENTH CENTURY ( COLORED ) , . 261 VIII . GROWTH OF LEAVES , 262 IX . BOTANY OF THE FOURTEENTH CENTURY , 266 X. GEOLOGY OF THE MIDDLE AGES , XI . LATEST PURISM , • • XII ...
... PAINTING FROM IVY BRIDGE , BY TURNER , 165 · VII . BOTANY OF THIRTEENTH CENTURY ( COLORED ) , . 261 VIII . GROWTH OF LEAVES , 262 IX . BOTANY OF THE FOURTEENTH CENTURY , 266 X. GEOLOGY OF THE MIDDLE AGES , XI . LATEST PURISM , • • XII ...
Pagina 10
... one who states unhesitatingly either preference or principle , re- specting pictures . There are , however , laws of truth and right in painting , just as fixed as those of harmony in music , or of affinity in chemistry . Those 10 PREFACE .
... one who states unhesitatingly either preference or principle , re- specting pictures . There are , however , laws of truth and right in painting , just as fixed as those of harmony in music , or of affinity in chemistry . Those 10 PREFACE .
Pagina 11
... painting who has not given a great part of his life to its study , as it would be for a person who had never studied chemistry to give a lecture on affinities of elements ; but it is also as ridiculous for a person to speak hesitatingly ...
... painting who has not given a great part of his life to its study , as it would be for a person who had never studied chemistry to give a lecture on affinities of elements ; but it is also as ridiculous for a person to speak hesitatingly ...
Pagina 21
... painting , which it was desirable that all students of Art should be early led to reverence and adopt ; and characterizing as " vulgar , " or " low , " or " realist , " another manner of painting and con- ceiving , which it was equally ...
... painting , which it was desirable that all students of Art should be early led to reverence and adopt ; and characterizing as " vulgar , " or " low , " or " realist , " another manner of painting and con- ceiving , which it was equally ...
Pagina 22
... painting , Nos . 76 , 79 , and 82 ; of these , the first is directed only against the imperti- nences of pretended connoisseurs , and is as notable for its faithfulness , as for its wit , in the description of the several modes of ...
... painting , Nos . 76 , 79 , and 82 ; of these , the first is directed only against the imperti- nences of pretended connoisseurs , and is as notable for its faithfulness , as for its wit , in the description of the several modes of ...
Veelvoorkomende woorden en zinsdelen
affected Apennine artists beauty believe blue book of Job chapter character Claude Claude's clouds color Correggio Dante Dante's dark delicate delight divine drawing emotion engraving evil expression exquisite fact fallacy false farther feeling finish flowers give grass Greek griffin grotesque heart hills Homer human idea ideal ideal art imagination imitation instance instinct invention kind Lake of Geneva landscape less light Lombardic look Malebolge matter means medieval merely mind modern Molière mountain nature ness never noble observe painter painting passion pathetic fallacy Paul Veronese perfect pict picture Plate pleasure poet poetical poetry Pre-Raphaelitism present principles Purgatory purple reader represented respecting rocks scene scenery Scott seems seen sense shadow simple Sophocles speak spirit Stones of Venice suppose things thought tion Titian trees true truth Turner vulgar whole word YORK PUBLIC LIBRARY
Populaire passages
Pagina 357 - Are those fraternal Four of Borrowdale, Joined in one solemn and capacious grove; Huge trunks ! and each particular trunk a growth Of intertwisted fibres serpentine Up-coiling, and inveterately convolved ; Nor uninformed with Phantasy, and looks That threaten the profane ; — a pillared shade, Upon whose grassless floor of red-brown hue, By sheddings from the pining umbrage tinged Perennially — beneath whose sable roof Of boughs, as if for festal purpose decked With unrejoicing berries — ghostly...
Pagina 255 - The sun came dazzling thro' the leaves, And flamed upon the brazen greaves Of bold Sir Lancelot. A red-cross knight for ever kneel'd To a lady in his shield, That sparkled on the yellow field, Beside remote Shalott.
Pagina 31 - I look for ghosts ; but none will force Their way to me : 'tis falsely said That there was ever intercourse Between the living and the dead ; For, surely, then I should have sight Of him I wait for day and night, With love and longings infinite.
Pagina 205 - There is not wind enough to twirl The one red leaf, the last of its clan, That dances as often as dance it can, Hanging so light, and hanging so high, On the topmost twig that looks up at the sky.
Pagina 217 - O come and hear him ! Thou who hast to me Been faithless, hear him, though a lowly creature, One of God's simple children that yet know not The universal Parent, how he sings. As if he wished the firmament of heaven Should listen, and give back to him the voice Of his triumphant constancy and love ; The proclamation that he makes, how far His darkness doth transcend our fickle light...
Pagina 347 - The mountain-shadows on her breast Were neither broken nor at rest ; In bright uncertainty they lie, Like future joys to Fancy's eye.
Pagina 212 - Note, here, the high poetical truth carried to the extreme. The poet has to speak of the earth in sadness, but he will not let that sadness affect or change his thoughts of it. No ; though Castor and Pollux be dead, yet the earth is our mother still, fruitful, life-giving.
Pagina 81 - Simon Peter saith unto them, I go a fishing. They say unto him, We also go with thee. They went forth, and entered into a ship immediately; and that night they caught nothing.
Pagina 256 - Above the brightening cloud appears j And in the smoke the pennons flew, As in the storm the white sea-mew. Then mark'd they, dashing broad and far, The broken billows of the war, And plumed crests of chieftains brave Floating like foam upon the wave...
Pagina 356 - But worthier still of note Are those fraternal Four of Borrowdale, Joined in one solemn and capacious grove; Huge trunks! and each particular trunk a growth Of intertwisted fibres serpentine Up-coiling, and inveterately convolved...