Modern paintersBryan, Taylor, 1894 |
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Pagina 15
... once intended the illustrations to these volumes to be more numerous and elaborate , but the art of pho- tography now enables any reader to obtain as many memoranda of the facts of nature as he needs ; and , in the course of my ten ...
... once intended the illustrations to these volumes to be more numerous and elaborate , but the art of pho- tography now enables any reader to obtain as many memoranda of the facts of nature as he needs ; and , in the course of my ten ...
Pagina 22
... once to consider this . § 4. And first , let us get , as quickly as may be , at the exact meaning with which the advocates of “ High Art " use that somewhat obscure and figurative term . I do not know that the principles in question are ...
... once to consider this . § 4. And first , let us get , as quickly as may be , at the exact meaning with which the advocates of “ High Art " use that somewhat obscure and figurative term . I do not know that the principles in question are ...
Pagina 46
... once opened and simplified as soon as we have left those the only questions . For observe , our present task , ac- cording to our old plan , is merely to investigate the rel- ative degrees of the beautiful in the art of different mas ...
... once opened and simplified as soon as we have left those the only questions . For observe , our present task , ac- cording to our old plan , is merely to investigate the rel- ative degrees of the beautiful in the art of different mas ...
Pagina 50
... once we try to follow them , they will lead us quite from our mark into other separate , though not less interesting discussions . The best way will be , therefore , I think , to sketch out at once in this chap- ter , the different ...
... once we try to follow them , they will lead us quite from our mark into other separate , though not less interesting discussions . The best way will be , therefore , I think , to sketch out at once in this chap- ter , the different ...
Pagina 53
... once pos- sessed himself of these powers , he will naturally and fitly employ them to deepen and perfect the impression made by the sentiment of his subject . The perfect unison of expression , as the painter's main GREATNESS OF STYLE . 53.
... once pos- sessed himself of these powers , he will naturally and fitly employ them to deepen and perfect the impression made by the sentiment of his subject . The perfect unison of expression , as the painter's main GREATNESS OF STYLE . 53.
Veelvoorkomende woorden en zinsdelen
affected Apennine artists beauty believe blue book of Job chapter character Claude Claude's clouds color Correggio Dante Dante's dark delicate delight divine drawing emotion engraving evil expression exquisite fact fallacy false farther feeling finish flowers give grass Greek griffin grotesque heart hills Homer human idea ideal ideal art imagination imitation instance instinct invention kind Lake of Geneva landscape less light Lombardic look Malebolge matter means medieval merely mind modern Molière mountain nature ness never noble observe painter painting passion pathetic fallacy Paul Veronese perfect pict picture Plate pleasure poet poetical poetry Pre-Raphaelitism present principles Purgatory purple reader represented respecting rocks scene scenery Scott seems seen sense shadow simple Sophocles speak spirit Stones of Venice suppose things thought tion Titian trees true truth Turner vulgar whole word YORK PUBLIC LIBRARY
Populaire passages
Pagina 357 - Are those fraternal Four of Borrowdale, Joined in one solemn and capacious grove; Huge trunks ! and each particular trunk a growth Of intertwisted fibres serpentine Up-coiling, and inveterately convolved ; Nor uninformed with Phantasy, and looks That threaten the profane ; — a pillared shade, Upon whose grassless floor of red-brown hue, By sheddings from the pining umbrage tinged Perennially — beneath whose sable roof Of boughs, as if for festal purpose decked With unrejoicing berries — ghostly...
Pagina 255 - The sun came dazzling thro' the leaves, And flamed upon the brazen greaves Of bold Sir Lancelot. A red-cross knight for ever kneel'd To a lady in his shield, That sparkled on the yellow field, Beside remote Shalott.
Pagina 31 - I look for ghosts ; but none will force Their way to me : 'tis falsely said That there was ever intercourse Between the living and the dead ; For, surely, then I should have sight Of him I wait for day and night, With love and longings infinite.
Pagina 205 - There is not wind enough to twirl The one red leaf, the last of its clan, That dances as often as dance it can, Hanging so light, and hanging so high, On the topmost twig that looks up at the sky.
Pagina 217 - O come and hear him ! Thou who hast to me Been faithless, hear him, though a lowly creature, One of God's simple children that yet know not The universal Parent, how he sings. As if he wished the firmament of heaven Should listen, and give back to him the voice Of his triumphant constancy and love ; The proclamation that he makes, how far His darkness doth transcend our fickle light...
Pagina 347 - The mountain-shadows on her breast Were neither broken nor at rest ; In bright uncertainty they lie, Like future joys to Fancy's eye.
Pagina 212 - Note, here, the high poetical truth carried to the extreme. The poet has to speak of the earth in sadness, but he will not let that sadness affect or change his thoughts of it. No ; though Castor and Pollux be dead, yet the earth is our mother still, fruitful, life-giving.
Pagina 81 - Simon Peter saith unto them, I go a fishing. They say unto him, We also go with thee. They went forth, and entered into a ship immediately; and that night they caught nothing.
Pagina 256 - Above the brightening cloud appears j And in the smoke the pennons flew, As in the storm the white sea-mew. Then mark'd they, dashing broad and far, The broken billows of the war, And plumed crests of chieftains brave Floating like foam upon the wave...
Pagina 356 - But worthier still of note Are those fraternal Four of Borrowdale, Joined in one solemn and capacious grove; Huge trunks! and each particular trunk a growth Of intertwisted fibres serpentine Up-coiling, and inveterately convolved...