The Theatre of the Greeks: Or, The History, Literature, and Criticism of the Grecian Drama : with an Original Treatise on the Principal Tragic and Comic MetresJ. Smith, 1830 - 572 pagina's |
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Pagina 17
... reason for supposing , that the young tragedian was deeply indebted to Homer in the formation of his Drama . 2 Aristotle distinctly attributes to the author of the Iliad and Odyssey the primary suggestion of Tragedy ; as in his Margites ...
... reason for supposing , that the young tragedian was deeply indebted to Homer in the formation of his Drama . 2 Aristotle distinctly attributes to the author of the Iliad and Odyssey the primary suggestion of Tragedy ; as in his Margites ...
Pagina 33
... reason for the poet's self - exile . The German critic supposes the chief aim of his Eumenides to have been the support of the Areiopagus , whose * This opinion respecting the object of this play is probably , to a certain extent ...
... reason for the poet's self - exile . The German critic supposes the chief aim of his Eumenides to have been the support of the Areiopagus , whose * This opinion respecting the object of this play is probably , to a certain extent ...
Pagina 34
... reasons assigned for his voluntary banishment , a victory obtained over him by Simonides in an elegiac contest ; and , what is more probable , the success of Sophocles , who carried off from him the tragic prize , according to the ...
... reasons assigned for his voluntary banishment , a victory obtained over him by Simonides in an elegiac contest ; and , what is more probable , the success of Sophocles , who carried off from him the tragic prize , according to the ...
Pagina 39
... reason for this practice , when , speaking , of Eschylus as " rudis in plerisque et incompositus , ” he goes on , propter quod correctas ejus fabulas in certamen deferre posterioribus poetis Athenienses permisere , suntque eo modo multi ...
... reason for this practice , when , speaking , of Eschylus as " rudis in plerisque et incompositus , ” he goes on , propter quod correctas ejus fabulas in certamen deferre posterioribus poetis Athenienses permisere , suntque eo modo multi ...
Pagina 72
... reason to believe , nothing but a series of licentious songs and satiric episodes , without plot , connexion , or consistency . He gave to each exhibition one single and unbroken fable , and converted the loose interlocutions into ...
... reason to believe , nothing but a series of licentious songs and satiric episodes , without plot , connexion , or consistency . He gave to each exhibition one single and unbroken fable , and converted the loose interlocutions into ...
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Populaire passages
Pagina 139 - For Tragedy is an imitation, not of men, but of an action and of life, and life consists in action, and its end is a mode of action, not a quality. Now character determines men's qualities, but it is by their actions that they are happy or the reverse.
Pagina 140 - A whole is that which has a beginning, a middle, and an end. A beginning is that which does not itself follow anything by causal necessity, but after which something naturally is or comes to be. An end, on the contrary, is that which itself naturally follows some other thing, either by necessity or as a rule, but has nothing following it. A middle is that which follows something...
Pagina 149 - And as the strongest proof of it we find that upon the stage, and in the dramatic contests, such tragedies, if they succeed, have always the most tragic effect; and Euripides, though in other respects faulty in the conduct of his subjects, seems clearly to be the most tragic of all poets. I place in the second rank that kind of fable to which some assign the first: that which is of a double construction like the Odyssey, and also ends in two opposite events, to the good and to the bad characters.
Pagina 141 - Hence it is that no very minute animal can be beautiful ; the eye comprehends the whole too instantaneously to distinguish and compare the parts : — neither, on the contrary, can one of a prodigious size be beautiful; because, as all its parts cannot be seen at once, the whole, the unity of object, is lost to the spectator ; as it would be, for example, if he were surveying an animal of very many miles in length.
Pagina 136 - COMEDY, as was said before, is an imitation of bad characters; bad, not with respect to every sort of vice, but to the RIDICULOUS only, as being a species of turpitude or deformity ; since it may be defined to be — a fault or deformity of such a sort as is neither painful nor destructive. A ridiculous face, for example, is something ugly and distorted, but not so as to cause pain.
Pagina 159 - Farther : there is less unity in all epic imitation ; as appears from this — that any epic poem will furnish matter for several tragedies. For, supposing the poet to choose a fable strictly one, the consequence must be, either, that his poem, if proportionably contracted, will appear curtailed and defective, or, if extended to the usual length, will become weak, and, as it were, diluted. If, on the other hand, we suppose him to employ several fables — that is, a fable composed of several actions...
Pagina 158 - Among the many just claims of Homer to our praise, this is one — that he is the only poet who seems to have understood what part in his poem it was proper for him to take himself. The poet, in his own person, should speak as little as possible ; for he is not then the imitator.
Pagina 131 - Socratic dialogues; or poems in iambic, elegiac, or other metres, in which the epic species of imitation may be conveyed. Custom, indeed, connecting the poetry or making with the metre, has denominated some elegiac poets, ie, makers...
Pagina 141 - ... many miles in length. As, therefore, in animals and other objects, a certain magnitude is requisite, but that magnitude must be such as to present a whole easily comprehended by the eye...
Pagina 132 - Megarians; both by those of Greece, who contend that it took its rise in their popular government, and by those of Sicily, among whom the poet Epicharmus flourished long before Chionides and Magnes: and tragedy, also, is claimed by some of the Dorians of Peloponnesus. In support of these claims they argue from the words themselves. They allege that the Doric word for a village is...