The Theatre of the Greeks: Or, The History, Literature, and Criticism of the Grecian Drama : with an Original Treatise on the Principal Tragic and Comic MetresJ. Smith, 1830 - 572 pagina's |
Vanuit het boek
Resultaten 1-5 van 70
Pagina iv
... matter , with the exception of some notes attached to the extracts from Aristotle's Poetics , has been entirely omitted , and replaced by a series of chapters from the pen of the present Editor . In the two first he has endeavoured to ...
... matter , with the exception of some notes attached to the extracts from Aristotle's Poetics , has been entirely omitted , and replaced by a series of chapters from the pen of the present Editor . In the two first he has endeavoured to ...
Pagina 7
... matter of doubt with some ( Welcker Nachtrag zur Trilogie , p . 241 ) ; and , indeed , were not the word Taúpovs in the epigram above so decisive , the fact would rest on somewhat questionable authority . See , however , Bentley Dissert ...
... matter of doubt with some ( Welcker Nachtrag zur Trilogie , p . 241 ) ; and , indeed , were not the word Taúpovs in the epigram above so decisive , the fact would rest on somewhat questionable authority . See , however , Bentley Dissert ...
Pagina 9
... matter of scientific composition and regular exhibition in the largest , the most opulent , and the most refined of the Dorian cities . This confirms what we may collect from other quarters ; that the Dithyramb , in its full perfection ...
... matter of scientific composition and regular exhibition in the largest , the most opulent , and the most refined of the Dorian cities . This confirms what we may collect from other quarters ; that the Dithyramb , in its full perfection ...
Pagina 15
... matter of course , the scrupulous conformity of these forgeries in style , subjects , and arrangement to Heraclides ' own idea of the real Thespian drama . The nature of this drama appears to have become , at this time , an object of ...
... matter of course , the scrupulous conformity of these forgeries in style , subjects , and arrangement to Heraclides ' own idea of the real Thespian drama . The nature of this drama appears to have become , at this time , an object of ...
Pagina 18
... matters of serious business or deep affliction , and a garb befitting the rank and state of the several individuals employed in the piece . Nor are we to suppose , that , as the actor was still but one , so never more than one personage ...
... matters of serious business or deep affliction , and a garb befitting the rank and state of the several individuals employed in the piece . Nor are we to suppose , that , as the actor was still but one , so never more than one personage ...
Overige edities - Alles bekijken
Populaire passages
Pagina 139 - For Tragedy is an imitation, not of men, but of an action and of life, and life consists in action, and its end is a mode of action, not a quality. Now character determines men's qualities, but it is by their actions that they are happy or the reverse.
Pagina 140 - A whole is that which has a beginning, a middle, and an end. A beginning is that which does not itself follow anything by causal necessity, but after which something naturally is or comes to be. An end, on the contrary, is that which itself naturally follows some other thing, either by necessity or as a rule, but has nothing following it. A middle is that which follows something...
Pagina 149 - And as the strongest proof of it we find that upon the stage, and in the dramatic contests, such tragedies, if they succeed, have always the most tragic effect; and Euripides, though in other respects faulty in the conduct of his subjects, seems clearly to be the most tragic of all poets. I place in the second rank that kind of fable to which some assign the first: that which is of a double construction like the Odyssey, and also ends in two opposite events, to the good and to the bad characters.
Pagina 141 - Hence it is that no very minute animal can be beautiful ; the eye comprehends the whole too instantaneously to distinguish and compare the parts : — neither, on the contrary, can one of a prodigious size be beautiful; because, as all its parts cannot be seen at once, the whole, the unity of object, is lost to the spectator ; as it would be, for example, if he were surveying an animal of very many miles in length.
Pagina 136 - COMEDY, as was said before, is an imitation of bad characters; bad, not with respect to every sort of vice, but to the RIDICULOUS only, as being a species of turpitude or deformity ; since it may be defined to be — a fault or deformity of such a sort as is neither painful nor destructive. A ridiculous face, for example, is something ugly and distorted, but not so as to cause pain.
Pagina 159 - Farther : there is less unity in all epic imitation ; as appears from this — that any epic poem will furnish matter for several tragedies. For, supposing the poet to choose a fable strictly one, the consequence must be, either, that his poem, if proportionably contracted, will appear curtailed and defective, or, if extended to the usual length, will become weak, and, as it were, diluted. If, on the other hand, we suppose him to employ several fables — that is, a fable composed of several actions...
Pagina 158 - Among the many just claims of Homer to our praise, this is one — that he is the only poet who seems to have understood what part in his poem it was proper for him to take himself. The poet, in his own person, should speak as little as possible ; for he is not then the imitator.
Pagina 131 - Socratic dialogues; or poems in iambic, elegiac, or other metres, in which the epic species of imitation may be conveyed. Custom, indeed, connecting the poetry or making with the metre, has denominated some elegiac poets, ie, makers...
Pagina 141 - ... many miles in length. As, therefore, in animals and other objects, a certain magnitude is requisite, but that magnitude must be such as to present a whole easily comprehended by the eye...
Pagina 132 - Megarians; both by those of Greece, who contend that it took its rise in their popular government, and by those of Sicily, among whom the poet Epicharmus flourished long before Chionides and Magnes: and tragedy, also, is claimed by some of the Dorians of Peloponnesus. In support of these claims they argue from the words themselves. They allege that the Doric word for a village is...