Milton Criticism: Selections from Four CenturiesJames Thorpe Collier Books, 1969 - 376 pagina's |
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Pagina 40
... observed , that the idiomatic style may be avoided , and the sublime formed , by the following methods . First , by ... observe , that the meta- phors are not thick - sown in Milton , which always savours too much of wit ; that they ...
... observed , that the idiomatic style may be avoided , and the sublime formed , by the following methods . First , by ... observe , that the meta- phors are not thick - sown in Milton , which always savours too much of wit ; that they ...
Pagina 42
... observe the measure of his verse , he has with great judgment suppressed a syllable in several words , and shortened ... observations on Milton's style , because it is that part of him in which he ap- pears the most singular . The ...
... observe the measure of his verse , he has with great judgment suppressed a syllable in several words , and shortened ... observations on Milton's style , because it is that part of him in which he ap- pears the most singular . The ...
Pagina 50
... observed by Aristotle , that the author of an heroic poem should seldom speak himself , but throw as much of his work as he can into the mouths of those who are his principal actors . Aristotle has given no reason for this precept ; but ...
... observed by Aristotle , that the author of an heroic poem should seldom speak himself , but throw as much of his work as he can into the mouths of those who are his principal actors . Aristotle has given no reason for this precept ; but ...
Inhoudsopgave
Joseph Addison six Spectator PAPERS ON Paradise Lost | 23 |
Jonathan Richardson EXPLANATORY NOTES AND REMARKS | 54 |
Samuel Johnson MILTON 1779 | 65 |
Copyright | |
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action Adam and Eve admiration Aeneid ancient angels Areopagitica Aristotle beauty believe blank verse Book called character Christ Christian Christian humanism Comus conscious Dante death diction dise Lost divine drama earth eighteenth century English poet English poetry essay evil expression fable fall feel genius give Greek happiness Heaven Hell hero Homer human Ibid ideas Iliad images imagination John Milton language Latin learning less lines Lycidas mankind meaning ment Milton criticism Milton's thought Milton's verse mind modern moral nature never Ovid Paradise Lost Paradise Regained particular passage passion perfect perhaps persons philosophy phrase poet poet's poetic poetry praise prose Puritan reader reason Renaissance rhyme rhythm Samson Samson Agonistes Satan seems sense sentiments Shakespeare speaks speech Spenser spirit stanza story sublime thee theme things thou tion ton's true truth Virgil virtue whole words writing