William was educated at the grammar-school of the town, where he learned "small Latin and less Greek"; and this slender stock was his only scholastic outfit for life. At the early age of eighteen he married Anne Hathaway, a yeoman's daughter. In 1586, at the age of twenty-two, he quitted his native town, and went to London. 10. Shakespeare's Life and Character.-He was employed in some menial capacity at the Blackfriars Theatre, but gradually rose to be actor and also adapter of plays. He was connected with the theatre for about five-and-twenty years; and so diligent and so successful was he, that he was able to purchase shares both in his own theatre and in the Globe. As an actor, he was only secondrate the two parts he is known to have played are those of the Ghost in Hamlet, and Adam in As You Like It. In 1597, at the early age of thirty-three, he was able to purchase New Place, in Stratford, and to rebuild the house. In 1612, at the age of fortyeight, he left London altogether, and retired for the rest of his life to New Place, where he died in the year 1616. His old father and mother spent the last years of their lives with him, and died under his roof. Shakespeare had three children-two girls and a boy. The boy, Hamnet, died at the age of twelve. Shakespeare himself was beloved by every one who knew him; and "gentle Shakespeare" was the phrase most often upon the lips of his friends. A placid face, with a sweet, mild expression; a high, broad, noble, "two-storey" forehead; bright eyes; a most speaking mouth though it seldom opened; an open, frank manner, a kindly, handsome look,-such seems to have been the external character of the man Shakespeare. The 11. Shakespeare's Works.-He has written thirty-seven plays and many poems. The best of his rhymed poems are his Sonnets, in which he chronicles many of the various moods of his mind. The plays consist of tragedies, historical plays, and comedies. greatest of his tragedies are probably Hamlet and King Lear; the best of his historical plays, Richard III. and Julius Cæsar; and his finest comedies, Midsummer Night's Dream and As You Like It. He wrote in the reign of Elizabeth as well as in that of James; but his greatest works belong to the latter period. 12. Shakespeare's Style.-Every one knows that Shakespeare is great; but how is the young learner to discover the best way of forming an adequate idea of his greatness? In the first place, Shakespeare has very many sides; and, in the second place, he is great on every one of them. Coleridge says: "In all points, from the most important to the most minute, the judgment of Shakespeare is commensurate with his genius-nay, his genius reveals itself in his judgment, as in its most exalted form." He has been called "mellifluous Shakespeare;" "honey-tongued Shakespeare;" "silvertongued Shakespeare;" "the thousand-souled Shakespeare;" "the myriad-minded;" and by many other epithets. He seems to have been master of all human experience; to have known the human heart in all its phases; to have been acquainted with all sorts and conditions of men-high and low, rich and poor; and to have studied the history of past ages, and of other countries. He also shows a greater and more highly skilled mastery over language than any other writer that ever lived. The vocabulary employed by Shakespeare amounts in number of words to twenty-one thousand. The vocabulary of Milton numbers only seven thousand words. But it is not sufficient to say that Shakespeare's power of thought, of feeling, and of expression required three times the number of words to express itself; we must also say that Shakespeare's power of expression shows infinitely greater skill, subtlety, and cunning than is to be found in the works of Milton. Shakespeare had also a marvellous power of making new phrases, most of which have become part and parcel of our language. Such phrases as every inch a king; witch the world; the time is out of joint, and hundreds more, show that modern Englishmen not only speak Shakespeare, but think Shakespeare. His knowledge of human nature has enabled him to throw into English literature a larger number of genuine "characters" that will always live in the thoughts of men, than any other author that ever wrote. And he has not drawn his characters from England alone and from his own time-but from Greece and Rome, from other countries, too, and also from all ages. He has written in a greater variety of styles than any other writer. 'Shakespeare," says Professor Craik, "has invented twenty styles." The knowledge, too, that he shows on every kind of human endeavour is as accurate as it is varied. Lawyers say that he was a great lawyer; theologians, that he was an able divine, and unequalled in his knowledge of the Bible; printers, that he must have been a printer; and seamen, that he knew every branch of the sailor's craft. 13. Shakespeare's contemporaries.—But we are not to suppose that Shakespeare stood alone in the end of the sixteenth and the beginning of the seventeenth century as a great poet; and that everything else was flat and low around him. This never is and never can be the case. Great genius is the possession, not of one man, but of several in a great age; and we do not find a great writer standing alone and unsupported, just as we do not find a high mountain rising from a low plain. The largest group of the highest mountains in the world, the Himalayas, rise from the highest table-land in the world; and peaks nearly as high as the highest-Mount Everest-are seen cleaving the blue sky in the neighbourhood of Mount Everest itself. And so we find Shakespeare surrounded by dramatists in some respects nearly as great as himself; for the same great forces welling up within the heart of England that made him created also the others. Marlowe, the teacher of Shakespeare, Peele, and Greene, preceded him; Ben Jonson, Beaumont and Fletcher, Massinger and Ford, Webster, Chapman, and many others, were his contemporaries, lived with him, talked with him; and no doubt each of these men influenced the work of the others. But the works of these men belong chiefly to the seventeenth century. We must not, however, forget that the reign of Queen Elizabeth-called in literature the Elizabethan Period-was the greatest that England ever saw, -greatest in poetry and in prose, greatest in thought and in action, and perhaps also greatest in external events. 14. CHRISTOPHER MARLOWE (1564-1593), the first great English dramatist, was born at Canterbury in the year 1564, two months before the birth of Shakespeare himself. He studied at Corpus Christi College, Cambridge, and took the degree of Master of Arts in 1587. After leaving the university, he came up to London and wrote for the stage. He seems to have led a wild and reckless life, and was stabbed in a tavern brawl on the 1st of June 1593. "As he may be said to have invented and made the verse of the drama, so he created the English drama." His chief plays are Dr Faustus and Edward the Second. His style is one of the greatest vigour and power it is often coarse, but it is always strong. Ben Jonson spoke of "Marlowe's mighty line"; and Lord Jeffrey says of him: "In felicity of thought and strength of expression, he is second only to Shakespeare himself." 15. BEN JONSON (1574-1637), the greatest dramatist of England after Shakespeare, was born in Westminster in the year 1574, just nine years after Shakespeare's birth. He received his education at Westminster School. It is said that, after leaving school, he was obliged to assist his stepfather as a bricklayer; that he did not like the work; and that he ran off to the Low Countries, and there enlisted as a soldier. On his return to London, he began to write for the stage. Jonson was a friend and companion of Shakespeare's; and at the Mermaid, in Fleet Street, they had, in presence of men like Raleigh, Marlowe, Greene, Peele, and other distinguished Englishmen, many "wit-combats" together. Jonson's greatest plays are Volpone or the Fox, and the Alchemist both comedies. In 1616 he was created Poet Laureate. For many years he was in receipt of a pension from James I. and from Charles I.; but so careless and profuse were his habits, that he died in poverty in the year 1637. He was buried in an upright position in Westminster Abbey; and the stone over his grave still bears the inscription, "O rare Ben Jonson!" He has been called a "robust, surly, and observing dramatist." 16. RICHARD HOOKER (1553-1600), one of the greatest of Elizabethan prose-writers, was born at Heavitree, a village near the city of Exeter, in the year 1553. By the kind aid of Jewel, Bishop of Salisbury, he was sent to Oxford, where he distinguished himself as a hard-working student, and especially for his knowledge of Hebrew. In 1581 he entered the Church. In the same year he made an imprudent marriage with an ignorant, coarse, vulgar, and domineering woman. He was appointed Master of the Temple in 1585; but, by his own request, he was removed from that office, and chose the quieter living of Boscombe, near Salisbury. Here he wrote the first four books of his famous work, The Laws of Ecclesiastical Polity, which were published in the year 1594. In 1595 he was translated to the living of Bishopsborne, near Canterbury. His death took place in the year 1600. The complete work, which consisted of eight books, was not published till 1662. 17. Hooker's Style. His writings are said to "mark an era in English prose." His sentences are generally very long, very elaborate, but full of "an extraordinary musical richness of language." The order is often more like that of a Latin than of an English sentence; and he is fond of Latin inversions. Thus he writes: "That which by wisdom he saw to be requisite for that people, was by as great wisdom compassed." The following sentences give us a good example of his sweet and musical rhythm. "Of law there can be no less acknowledged, than that her seat is the bosom of God, her voice the harmony of the world. All things in heaven and earth do her homage; the very least as feeling her care, and the greatest as not exempted from her power: both angels and men, and creatures of what condition soever, though each in different sort and manner, yet all, with uniform consent, admiring her as the mother of their peace and joy.” 18. SIR PHILIP SIDNEY (1554-1586), a noble knight, a statesman, and one of the best prose-writers of the Elizabethan age, was born at Penshurst, in Kent, in the year 1554. He was educated at Shrewsbury School, and then at Christ Church, Oxford. At the age of seventeen he went abroad for three years' travel on the Continent; and, while in Paris, witnessed, from the windows of the English Embassy, the horrible Massacre of St Bartholomew in the year 1572. At the early age of twenty-two he was sent as ambassador to the Emperor of Germany; and while on that embassy, he met William of Orange-" William the Silent"—who pronounced him one of the ripest statesmen in Europe. This was said of a young man "who seems to have been the type of what was noblest in the youth of England during times that could produce a statesman.” In 1580 he wrote the Arcadia, a romance, and dedicated it to his sister, the Countess of Pembroke. The year after, he produced his Apologie for Poetrie. His policy as a statesman was to side with Protestant rulers, and to break the power of the strongest Catholic kingdom on the Continent-the power of Spain. In 1585 the Queen sent him to the Netherlands as governor of the important fortress of Flushing. He was mortally wounded in a skirmish at Zutphen; and as he was being carried off the field, handed to a private the cup of cold water that had been brought to quench his raging thirst. He died of his wounds on the 17th of October 1586. One of his friends wrote of him : Death, courage, honour, make thy soul to live!- 19. Sidney's Poetry.-In addition to the Arcadia and the Apologie for Poetrie, Sidney wrote a number of beautiful poems. The best of these are a series of sonnets called Astrophel and Stella, of which his latest critic says: "As a series of sonnets, the Astrophel and Stella poems are second only to Shakespeare's; as a series of love-poems, they are perhaps unsurpassed." Spenser wrote an elegy upon Sidney himself, under the title of Astrophel. Sidney's prose is among the best of the sixteenth century. "He reads more modern than any other author of that century." He does not use "ink-horn terms," or cram his sentences with Latin or French or Italian words; but both his words and his idioms are of pure English. He is fond of using personifications. Such phrases as, "About the time that the candles began to inherit the sun's office;" "Seeing the day begin to disclose her comfortable beauties," are not uncommon. The rhythm of his sentences is always melodious, and each of them has a very pleasant close. |