An Essay on the Writings and Genius of Shakespeare Compared with the Greek and French Dramatic PoetsR. Priestley, 1966 - 296 pagina's |
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Pagina 181
... true object , the prime excellencies and perfections of the thing it would depreciate . One should not wonder if a school - boy cri- tic , who neither knows what were the super- stitions of former times , or the poet's pri- vileges in ...
... true object , the prime excellencies and perfections of the thing it would depreciate . One should not wonder if a school - boy cri- tic , who neither knows what were the super- stitions of former times , or the poet's pri- vileges in ...
Pagina 247
... true , the will . - Let's stay , and hear the will . ANTONY . Here is the will , and under Cæsar's seal . To every Roman citizen he gives , To every several man , seventy - five drachmas . Most noble Cæsar ! 2 PLEBEIAN . ANTONY ...
... true , the will . - Let's stay , and hear the will . ANTONY . Here is the will , and under Cæsar's seal . To every Roman citizen he gives , To every several man , seventy - five drachmas . Most noble Cæsar ! 2 PLEBEIAN . ANTONY ...
Pagina 291
... true history . It has ever been my opinion , that only the clear and steady light of truth can guide men to virtue , and that the lesson which is impracticable , must be unuseful . Whoever shall design to regulate his conduct by these ...
... true history . It has ever been my opinion , that only the clear and steady light of truth can guide men to virtue , and that the lesson which is impracticable , must be unuseful . Whoever shall design to regulate his conduct by these ...
Inhoudsopgave
Upon the Death of Julius Cæsar | 223 |
Dialogue I | 267 |
Dialogue II | 276 |
Copyright | |
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absurd action admired Æschylus affected allegory ambition ancient ANTONY appears Aristotle Atossa Augustus battle of Shrewsbury blank-verse blood Brutus Cassius character CHARON Cinna conspiracy conspirators Corneille critic crown dæmons danger danger death dialogue drama ELPINICE Emilia Euripides Eurystheus excite fable Falstaffe fear French friends genius ghost give glory grace Grecian Greek hath heart heav'n Henry Hercules heroes honour human imagination imitation interest judgment Julius Cæsar kind king lady learned lover Macbeth manners means ment mind moral murder muse nature Nervii never noble passions perfect person piece play PLEBEIAN PLUTARCH poet poetry Prince racters rendered representation ridicule Roman Rome says scene secret sentiments Shak Shakspeare Shakspeare's shew sion soliloquy Sophocles soul speak spectator speech spirit stage sublime superstition Tacitus taste tell temper terror thee Theseus thing thou tion tragedians tragedy translation virtue Voltaire vulgar witches words writers