An Essay on the Writings and Genius of Shakespeare Compared with the Greek and French Dramatic PoetsR. Priestley, 1966 - 296 pagina's |
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Pagina 10
... tragedy without_action * . Mr. Voltaire confesses , that some of the most admired tragedies in France , are rather conversa- tions , than representations of an action . It will hardly be allowed to those who fail in the most essential ...
... tragedy without_action * . Mr. Voltaire confesses , that some of the most admired tragedies in France , are rather conversa- tions , than representations of an action . It will hardly be allowed to those who fail in the most essential ...
Pagina 151
... unnecessary to enlarge on that admirable piece , which alone would prove our author to have had a fertile , a sublime , and original genius . THE THE TRAGEDY OF МАСВЕТН . THE TRAGEDY OF МАСВЕТН . ON THE PRETERNATURAL BEINGS . 151.
... unnecessary to enlarge on that admirable piece , which alone would prove our author to have had a fertile , a sublime , and original genius . THE THE TRAGEDY OF МАСВЕТН . THE TRAGEDY OF МАСВЕТН . ON THE PRETERNATURAL BEINGS . 151.
Pagina 227
... tragedy . In the fables of Pha- dra and Merope , those sentiments belong to the action ; but they had no share in the re- solution taken to kill Cæsar ; and , if they are made to interfere , they adulterate the imitation ; if to ...
... tragedy . In the fables of Pha- dra and Merope , those sentiments belong to the action ; but they had no share in the re- solution taken to kill Cæsar ; and , if they are made to interfere , they adulterate the imitation ; if to ...
Inhoudsopgave
Upon the Death of Julius Cæsar | 223 |
Dialogue I | 267 |
Dialogue II | 276 |
Copyright | |
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absurd action admired Æschylus affected allegory ambition ancient ANTONY appears Aristotle Atossa Augustus battle of Shrewsbury blank-verse blood Brutus Cassius character CHARON Cinna conspiracy conspirators Corneille critic crown dæmons danger danger death dialogue drama ELPINICE Emilia Euripides Eurystheus excite fable Falstaffe fear French friends genius ghost give glory grace Grecian Greek hath heart heav'n Henry Hercules heroes honour human imagination imitation interest judgment Julius Cæsar kind king lady learned lover Macbeth manners means ment mind moral murder muse nature Nervii never noble passions perfect person piece play PLEBEIAN PLUTARCH poet poetry Prince racters rendered representation ridicule Roman Rome says scene secret sentiments Shak Shakspeare Shakspeare's shew sion soliloquy Sophocles soul speak spectator speech spirit stage sublime superstition Tacitus taste tell temper terror thee Theseus thing thou tion tragedians tragedy translation virtue Voltaire vulgar witches words writers